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Fastest Digital Camera Ever: Casio EX FX1 - CES 2008
Casio couldn't leave amazing enough alone: Not only does their newly-unveiled F1 shoot 6.1 megapixel images at a whopping 60 frames-per-second burst rate, it also shoots HD video -- at up to, come on, my brain's already melting -- 1200 frames per second. !!!
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Camera Sensor Cleaning - Don't Use a Regular Bulb
Koh HEPA JET AIR Demonstration The ultimate air bulb for blowing dust off camera sensor Sensor cleaning and maintenance gadget. Visit www.kohglobal.com for the HEPA Jet Air and other fine products. Available for purchase at Amazon.com or Omega Satter
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Photography: Your Digital Images
www.mindbites.com In this lesson you will learn how to expose your photos manually to get the proper look for the type of photograph you are taking. You will learn how to use a exposure meter with spot metering or light metering to understand how to determine and create the correct level of exposure. Digital photography is changing the way photographers create images with a new sense of imagination. Digital pictures are more than instant images as they can be instantly changed and improved. This lesson is excerpted from the DVD, Digital Photography: The Camera, which is an excellent resource for those looking to learn the fundamentals of digital photography. This is a segment cut from the DVD and includes chapters 12, 13 and 14 (covering exposure control, your digital images, & digital pathways).
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Better Pictures With SLR Cameras
The digital cameras are now getting more popular and more people want to buy the digital cameras especially the SLR digital camera. The improvements in the camera offers more people flexibility in their pictures so that they will be able to control the end result.
There are many benefits of buying and using a digital camera but making yourself knowledgeable about it may make you a better user of the technology. Once you know the features of the camera, then you will be able to use it better and make the best of the camera that you now have.
One of the main differences of a digital camera over a film camera is the chance to take more pictures without an additional fee. Digital cameras don't need films. This way, you may take more pictures and enjoy it since you don't need to pay for an extra film.
Also, more digital cameras are user-friendly. The manuals are now easier to understand and you can simply click more pictures. This option can be done since there is a delete button in digital cameras. With the delete button, you may be able to erase the picture that you may not like or those low quality pictures like over or under exposed images. Thus, you don't need to use the memory of you r camera wasted on images that may not be beautiful or interesting enough.
When a professional photographer may want to better control the images, he may do so with the use of SLR digital cameras. These cameras are like the traditional camera wherein the photographer may tweak the settings of the image that he wants to achieve. With SLR digital cameras, you can change the ISO, aperture, or shutter speed of your camera. These settings and more can be manipulated so that there will be more people who can be more creative with their pictures. If you don't want to change the extra features of the camera the automatic setting may still be selected.
Having an SLR camera be it a digital or film allows you to change the lens that you use. Using the proper lens for different subjects will help you achieve a better image. The clarity of the image and other effects may be better once you have the right lens. The conditions wherein you use may affect the image sharpness so you must really be able to use the right lens at right settings and conditions.
With all of these benefits that can be experienced through digital SLR cameras, one may definitely want to jump to buy the camera right away. But before doing so, you must first be able to learn more about the digital world and how to use the camera. When you are more knowledgeable on how to control the settings, then better pictures may be taken. Having an SLR digital camera is a good investment only if you know how to maximize its use and really make the best out of this gadget.
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Nikon 85mm f/3.5 G VR AF-S DX ED Micro-Nikkor Lens + UV Filter + Accessory Kit for Nikon D300s, D300, D200, D40, D40x, D60, D5000, D90 & D3000 Digital SLR Cameras
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- KIT INCLUDES 4 PRODUCTS — All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
- <#1> Nikon 85mm f/3.5 G VR AF-S DX ED Micro-Nikkor Lens PLUS +
- <#2> Vivitar 52mm UV Filter +
- <#3> CapKeeper 2 Lens Cap Strap +
- <#4> Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit
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Kit includes:
♦ 1) Nikon 85mm f/3.5 G VR AF-S DX ED Micro-Nikkor Lens
♦ 2) Vivitar 52mm UV Filter
♦ 3) CapKeeper 2 Lens Cap Strap
♦ 4) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit
This Nikon 85mm f/3.5G ED AF-S VR Lens is a DX-formatted medium telephoto Micro lens. It is ideal for extreme close-up and general photography including portraits. The lens will autofocus from infinity to 10.8" producing a life-size (1:1) image. The lens also features Nikon's VR (Vibration Reduction) image stabilization. This allows handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. This lens is ideal for macro close-up work.
This Vivitar UV Filter is a multi-purpose, fine-weather filter that is designed to optimize your photography experience. UV filters block out unwanted ultraviolet light and prevents the UV "fogging/haze" effect, which can result in inaccurate color and lower the apparent sharpness. This filter is also ideal for protecting your valuable lens from scratches and dust, and it can be kept on the lens at all times.
Keep your lens cap securely attached to your lens with the convenient, simple-to-use CapKeeper. Never lose a lens cap again!
This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.
Best Buy Nikon 85mm f/3.5 G VR AF-S DX ED Micro-Nikkor Lens + UV Filter + Accessory Kit for Nikon D300s, D300, D200, D40, D40x, D60, D5000, D90 & D3000 Digital SLR Cameras
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CES 2010: Panasonic GF1 Digital Camera
Albert checks out Panasonic's new SLR which isn't like your typical huge expesnive SLR. The GF1 uses a small form factor and has the ability to replace pretty much every part of the camera.
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How to Start Your Career in Photography
Photography is one of the most interesting things for some people. The best thing about photography concerning to the career is that you will find what you enjoy and will be paid for it. You can use your talents and also your skills in the way for most people just dream about. There is strong will and hard work too, but you will get the rewards more than what you think. Below are some ideas that you can read to begin your career in photography.
Start taking lots of photographs. It seems obvious, but photography needs a lot of experiences. You can start by using snapshot camera, then go on to the professional equipment or any best equipment. It does not matter as it is your ability and your talent that will make you to be successful photographer, not about the equipment that you use. Get started with take a lots of photos before you look for the best job as photographer.
Learn your work. The first thing that you need in your photograph is how you will compose your photograph. You have to decide which one that you think that will be best and that will be least for your photograph. It is very important to compose your photo as your style. It will influence your career.
Now you can learn what you have to know about photography. First is about the camera. You should learn how your camera works and what can make it work for your benefit. And then you should learn the process of your photos. If you use film, it means that you should know that it uses chemicals in developing the film and it also need some techniques that will be used in darkroom such as enlarging, dodging, and burning. But if you use a digital camera, you should upload your photos to your computer, then decide the right size, then tone the photo and make it perfect. You can print your photos by using your high quality printer or you can print it in a professional processing lab.
You may also train your photography career in a high school or a collage if possible. Practicing experience is good for you, so you need also go on to take photographs yourself. You can go to many interesting places to get the best scenes, buildings, events, or people. And then shoot your objects as least a hundred photos.
Go to the local photographers who they are in a market with an apprentice. Apprentices will shoot secondary shots at some events; they also maintain equipment and also prepare everything for the next shoot. Professional photographers often send apprentices in order to coyer their assignments if they have many books and they will trust you.
Go to a local newspaper for asking about how to do an internship. They may give you some freelance assignments. By this way, it can give you much of experiences in various shoots whether it does not pay much. You can also use your experiences to find a full time newspaper job or to build a better portfolio.
Now you can open your studio. It is the hard way to begin a photography career, but you do not need to worry as it has a biggest payoff. Marketing your self in yellow pages and putting up fliers around the town can make people interest to your studio. To improve your photo business, at first you will need a hustling job. But your own work will market you to get started.
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Digital SLR Photography and You
Digital cameras have been around for a number of years. If the individual has a lot of fun using it, perhaps it is time to move up by investing in something better that is available in the market. Technology has paved the way for the creation of the digital SLR camera.
The SLR stands for single lens reflex. In fact, many photographers have decided to use this more often. This is because it gives the user more control in the look of the final product.
When the SLR first came out, this was sold at about $5,000 a piece. With the increasing demand in the market, manufacturers have came out with different models so the average person can buy one of these for less than a thousand. Those who want to do better with the more affordable version then will have to buy extra lenses.
The SLR stands out because of the lens used in the camera. This just proves that the piece of glass in this device really makes a difference when the pictures are developed. The user can change the lens to get a farther shot but this will really boil down to the contrast and color.
Another nice feature about the SLR is that it comes with controls allowing the owner to change certain things in the photo before it is downloaded and printed. This may be complicated for those who are not familiar with it so the user should get comfortable with the camera before using it.
Since the SLR is quite expensive, it will be a good idea to get proper insurance for it. This device fetches a good price in the market if someone should stumble into one which will really hurt anyone's pocket should this be stolen.
There are many brands of SLR cameras in the market. All of these manufacturers have been in the business for quite some time, which makes it hard to recommend which one is the best to invest in.
Photographers and other hobbyists then should go with the brand that the individual is familiar with and use this to get those digital SLR shots. After all, this is the only way to use this piece of equipment and get the money's worth out of this investment.
The owner should also know how to store and clean the SLR camera. It is only with proper maintenance and storage that excellent shots can be taken every time this is brought out.
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Nikon D60 review
Full review at: www.cameralabs.com : A ten minute video tour around Nikon's entry-level 10 Megapixel D60 DSLR by Gordon Laing, Editor of www.cameralabs.com. For our full review, please click the link at the start of this text.
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LearnTV Alpha 850
The new DSLR-A850 is the best value Full Frame DSLR available. With 24.6MP and a professional design it is the perfect inspiration for your creativity. Discover the a850 and the benefits of Full Frame shooting in this episode.
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Basics of Photography
Understanding light is one of the very basic principles of learning to be a photographer. When you have a group of people in front of you with smiling faces ready for you to say 'cheese' or if you are taking a shot of a scenic area, the most important consideration is the light factor. Light controls the type of exposure and therefore the quality of the photo is dependent on the quality of the light on your subject and the amount of light that impacts on the film or digital sensor when you click. Controlling the amount of light is a good pre-occupation in the mind of a photographer keen to get a good shot. It should be one of the key considerations.
The word 'exposure' is a very important word in the lexicon of both amateur and professional photographers and is based on the understanding of light in creating good photographs.
--If there is too much light, the photo will look overly bright and over exposed.
--A happy group of people will not look as vibrant if there was inadequate light when you took the picture.
--Bright sunlight can create shadows under the eyes.
--Poor lighting may not bring out the colors in the scene to maximum effect
There are a few basics that you can apply to circumvent poor picture quality due to unfavorable light conditions:
--Change the position from which you take the shot
--Change the light if clicking indoors
--Use the flash
The use of the flash can be a boon when you operate in different light conditions. If you have an overcast sky, the flash in your camera will serve the purpose of letting some light into the image that you are trying to capture and brightening it up. The flash also works to your advantage when your subject is not too close but slightly away from you. But you have to check the 'flash range' of your camera in your manual. The flash works best when your subject is within a recommended range that is usually at least 4 ft and generally not more than 10 ft.
Most simple cameras have an automatic flash. Slightly better models will have settings for fill-flash. The concept of fill flash revolves around filling light in areas of a picture that may turn out dark or shadowed. Fill-flash has the ability to balance the amount of light on different parts of a subject to ensure that the exposure is adequately bright. For instance, a portion of a person's face may appear shadowed and the fill-flash setting can help iron out this problem.
The angle of light is another important consideration. You have to pay attention to the direction from which light falls on your subject and there are several approaches in manipulating the angle of light to improve the visual appeal of a picture.
Sideways lighting: Light from the side is used to creates depth in the picture and is considered one of the best ways to use light if you are taking a portrait photograph.
Light from the top: This is a method used to brighten up most of the scene but does not work as well when you take a photograph of a person. It tends to create shadows on the lower half of the face when the lighting is high.
Light from behind your subject: This strategy is sometimes used by photographers to amplify the impact of the picture. It can create a halo like effect; it can add artistic shadows and can also create a striking contrast between the subject and the background if used effectively. When you use a 'back light' it is recommended that the fill-flash settings on your camera are also adjusted in order to avoid shadows in your photograph.
The second issue in photography is the aesthetics of the picture. Aesthetics is the creativity and attention to detail that you bring to your photograph. It is the most interesting part of photography since it is almost like a visual equivalent of composing a poem or writing a story. Aesthetics requires the use of visual skills to compose and deliver a pleasing, eye-catching and captivating image. It is a type of vision that you have for your photograph in terms of look and appeal.
Aesthetics requires a good eye for detail. The following factors have to borne in mind in creating an aesthetically appealing photograph:
Background
--Periphery
--Distance from subject
--Changing the direction of your camera based on picture dimensions
--Objects impinging on the picture
--Avoiding too many elements
Each of these factors that go into aesthetics are described and explained below-
-->Background
The background in a photograph requires much consideration. It influences the manner in which your subject is portrayed in the photograph. Depending on your choice of background, your subject will be shown to effect or may be overshadowed. The background also makes the difference between a boring and an interesting photograph. The colors, the type of background and the context add to the vibrancy of the photo.
-->Perphery
A common problem among beginners in photography is not paying attention to whether the image is being captured fully. When you view your subject through the viewfinder, you may think you have clicked a person from head to shoulder or from head to toe in a full shot. But when the actual photograph is processed, the top of your subject's head or part of the hair may be missing! Or, if you did not center your subject when you composed the shot through your viewfinder, a part of the shoulder or hand may be lost into the edges of the photo. You need to concentrate when you view your subject through your camera before you click, in order to get the picture exactly the way you want it.
-->Distance from Subject
The distance from a subject is another critical aspect in getting a good picture. You want to see facial expression, not a mass of faces when you take a photograph. To do this, you have to be at a suitable close distance from your subject. On the other hand, when you click pictures of a campus, the distance that you click from can give you a wide view and take in a lot more of the scene. To take close up pictures of flowers or crystal or any decorative item, you have to move into close range and use suitable lenses to achieve the right magnification.
-->Changing the Direction of Your Camera Based on the Picture
Many a time you may not be able to capture the subject in it's entirety in the conventional horizontal position in which the camera is usually held. You can easily change the direction. Hold the camera vertically and then view your subject. You will be able to capture more of a longish subject like a tall monument, a full-length picture of a child, and so on.
-->Objects Impinging on the Picture
At times there are certain objects in a scene that seem to almost invade into the picture. For instance, if you take a picture of a group of your friends on a street, chances are that a street sign may gain prominence in the photograph unbidden and may seem to sprout out of the head of one of your friends in the photograph. Or the light fixtures in your living room may find a place in the picture and appear in the form an unseemly blob in your photo. And the tough part is, when you take the shot you may not be aware of this because the eye is focused on the people in the picture.
-->Avoiding Too Many Elements
A picture cluttered with too many objects may detract from the actual subject. For instance, a wide view of a room in which your subject is sitting may create a photo in which too many objects vie for attention. If the person in the picture is your main target then narrow down and concentrate mostly on clicking the subject. While a good background adds value to a picture, too much paraphernalia could take the attention away from the main subject. Your picture may be focused and the lighting may be good but there is so much going on in the picture that it becomes aesthetically lacking and maybe even a little jarring.
Besides Light and Aesthetics, the third issue in photography basics refers to 'focusing' the picture. Getting the right focus is the difference between a blurred image and a sharp image. If you have an auto focus camera, the camera will do the job for you. This is available in most basic models. You can also achieve focus manually in other cameras using the mechanism to adjust the focus and to lock the focus on the subject before you click.
To achieve the right focus, it is important to decide on the artistic elements of the final picture. There are areas of a scene that you may want sharper and clearer. For instance, when you photograph a famous monument, you may want the building as well as the blue sky against which it is silhouetted to be crystal clear. If you are photographing a camel in a desert, you might want the camel to be clear and a slightly hazy/blurred effect of the surrounding sand. If you are taking a shot of a room containing a priceless vase, when you look through your viewfinder, you want the finer details of the intricate patterns on the vase to be clearer than other objects in its vicinity. So, it's also a question of the portion or key part of your picture your focus is really on.
This area that you identify for your focus is referred to as the 'depth of field'. You can lock the focus on the depth of field that you choose. You can control the focus and depth of field depending on your objectives for different shots.
The basics of photography are better applied when you put into perspective the capabilities of the camera model that you use or plan to purchase. Simple point and shoot cameras require minimal knowledge in operating them. They are easy to use and have the bare minimum controls. The user has to just compose and aim the shot on the subject and presses the shutter button. 'Click' and the job is done. The camera handles its functions automatically.
For those of you who want to work with a slightly more sophisticated camera, you have the option of a Single Lens Reflex camera popularly called the SLR system. This type of camera is available in both 35mm film format as well as digital format. Digital cameras have no film but the image is captured on an image sensor and stored in photo memory. Digital cameras in general provide superior picture quality. The internal system of the SLR camera is made up of angled prisms and mirrors that actually work like a lens when you click. But you have a few things to learn about this camera system before you can achieve better light exposure, sharpness and good focus. While it is imperative that you study the instruction manual of your SLR camera system thoroughly to understand the features and functioning, given here are some of the features and a brief explanation on how these features can help you in achieving the right exposure.
-->Additional Lenses for Close Up Shots
An additional feature in an SLR camera that makes it far superior to a simple 'point and shoot' camera is the ability to use add-on lenses. When you attempt to take a close up shot of objects in nature like a flower or a butterfly, you might want a very high level of clarity. You can add power to your camera by attaching an additional lens onto your camera lens for greater magnification of your subject. These supplementary lenses are available at reasonable prices in different powers like +2, +3 and so on.
You can also look for a model with an optical zoom lens that gives you the flexibility of variable focal length and a range of lens options within a single zoom lens.
-->Shutter Speed
The shutter in your camera lets light in during a shot and keeps light out at other times. When the shutter opens for an exposure, light is allowed to impact on the film or image sensor. If you set a slow shutter speed, more light impacts on the sensor and affects the type of exposure. When you use a faster shutter speeds your picture is sharper and clearer. There is a maximum shutter speed that is available to you in your camera system. The shutter speed is set at a fraction of a second- for instance, 1/1000th of a second. It could also be 1/2000th or even the much-preferred higher speed of 1/4000th of a second that is available in certain models. Professional use models boast of even higher shutter speed of 1/6000th or 1/8000th of a second. If you want to freeze action such as in sports, you require fast shutter speeds.
There are many more features that when used effectively can add value to the impact of your photographs. Most 35mm SLR cameras have a TTL viewfinder. TTL stands for 'through the lens' metering system. This device has the ability to measure (on a scale) the amount of light impacting the film. Using this device is the key to control the exposure and get the right amount of light in order to capture a proper image. You can also use a tripod with your SLR camera. A tripod is your answer to achieving the right exposure in a close up shot and in low light conditions. It holds the camera steady, helps in focusing and ensures a sharper picture even when shutter speed is slow.
The guidelines discussed here on the basics of photography and the additional features of the SLR system, will not only get you started but also help you avoid the common mistakes that many budding photographers make. Study your manual thoroughly for insights and ideas. Learning photography requires patience and the ability to constantly experiment and teach yourself through a process of trial and error.
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Sony Alpha D-SLR A200 Winter Photography | Photos | Pictures 2008 - 2009
Please feel more than welcome to view my online portfolio: picasaweb.google.com picasaweb.google.com You can also join my facebook group (Samuel Unwin Photographic) by clicking here: www.facebook.com All photographs taken by myself.
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Photo America TV | Sony A850-camera review-final
•35mm, full-frame 24.6-megapixel Exmor CMOS image sensor; SteadyShot INSIDE in-camera image stabilization •Body only; lenses sold separately •Dual BIONZ processors for up to fast 3fps performance; 9-point AF system w/ additional 10-point assist •Rugged magnesium alloy shell; dust/moisture-resistant design •Dual card slots; accepts both CompactFlash and Memory Stick Duo Media (not included) Find this at willoughbys.com
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South Florida Star Trails
This is a star trail of about 100 photos about 30 seconds long and about 30 seconds apart. It started to get very cloudy and the camera battery died but here it is. Going to catch the meteor shower later tonight/this morning. Let me know what you think thanks! Done with a nikon D90. check out tjkphoto.blogspot.com for more pictures and reviews!
Why Not Buy A Canon EOS 40D Digital SLR Camera?
Will a better camera ensure that you take better pictures? The short answer is of course "yes". The slightly longer answer is of course equally obvious "it depends". I like the long answer myself, as the inevitable follow up debate is far more interesting. Perhaps though what you should be asking is, "Will buying a Canon EOS 40D Digital SLR Camera ensure I take better pictures?". Of course you already know "it depends" is the answer. But, exactly what does it depend on?
I depends on several things. First of all, what's your photographic history? If all you've ever taken pictures with are simple point and shoot cameras, then you better be committed to learning. The EOS 40D has a myriad array of features and quirks you'll need to understand. The most obvious one being that you can't frame your photos with the LCD. Coming from a point and shoot world, most users would think there's something wrong with the camera. In reality, that's just the way SLR cameras are designed. It basically means you need to use the viewfinder, which shows you the truest representation of your image before you press the shutter button.
If that's a problem for you, then stick with the point and shoots, or keep your eyes open for the next few months as Canon and other manufacturers start to roll out SLR cameras with something called "Live View".
Another reason to stay away from buying a Canon EOS 40D, is something those of us that own boats like to call 2 footitis. It's simply a condition where it doesn't matter what you have or how good something you own is... you always want something bigger and better. Buying the latest and greatest camera can be both a slippery and expensive slope. I've heard from one EOS 40D owner, who really grew to hate his 40D simply because it couldn't compare with the color reproduction of another SLR camera that cost almost $700 more. Not to hard to guess what he did. He got a new camera, and eBay got another listing for a barely used Canon EOS 40D.
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How to Buy Digital Camera Lenses
With new technology comes new opportunity. This statement is particularly true in the case of digital cameras, and more importantly, as the title of this article suggests, in the case of digital camera lenses.
There are so many different lenses with varying specifications available that it can be quite overwhelming to find exactly what it is that you require from a lens, but that is where we step in to help.
This article acts as a guide to explain the jargon and to allow you make a better-informed purchase the next time you are shopping for a new digital camera lens.
Choosing a Suitable Focal Length
Focal length is probably the most important factor that should be considered when choosing a lens, and for good reason: focal lengths determine the field-of-view of the photos you will be able to take successfully with your camera.
The two main types of focal length are telephoto and wide-angle, and while telephoto lenses have a narrow field-of-view and are best suited for close-up shots and portraits, wide-angle lenses have a wider field-of-view which is perfect for indoor photography and landscapes.
Keep in mind that the performance of lenses can differ from camera to camera, with the magnification power behind a lens generally being greater on a digital camera than on a 35mm film-based camera.
The Need For Speed
When you hear about fast and slow lenses, reference is being made to a lens's maximum aperture, which is the maximum amount of light that a lens can let in. A simple rule of thumb is that a fast lens lets in a lot of light, while a slow lens lets in less light, which defines how your photos will look.
Maximum apertures are measured in f/stop numbers, which are actually a ratio of the size of the lens aperture and focal length. The smaller the f/number, the more light is let in. An increment in the f/stop number doubles the amount of light let in, so f/2.0 lets in twice as much light as f/1.4.
This may seem quite confusing at first, so the easiest way to make sense of it is to remember the following: fast lenses are best suited towards successful photography in darker lighting conditions, and slow lenses are targeted towards photography in lighter conditions.
The Ins and Outs of a Zoom Lens
Unlike a fixed-focal-length lens, a zoom lens often gives you the diversity of a range of focal lengths all rolled into a single adjustable lens. This can be great if you often have to switch between various lenses for different shots, but it is important to remember that not all zoom lenses have a constant maximum aperture, and those that do are often larger and more expensive.
Although the maximum aperture may be reduced as you zoom in using a lens with a variable maximum aperture, this may not be as important to some photographers as the reduced cost and size of such lenses. Keep this in mind when purchasing a zoom lens.
Add-on Lenses
Add-on or accessory lenses are targeted towards compact digital cameras, and allow owners of such models to significantly lengthen or reduce the camera's built-in focal length while at the same time being able to automate camera functions including f/stop settings and focusing.
These lenses can be an excellent low-cost add-on to your digital camera, with telephoto add-on lenses being able to increase focal lengths by up to 300%, and wide-angle versions allowing for reduction in focal lengths of up to 30%.
Final Considerations
There are several other terms to take into consideration when buying a digital camera lens to make sure you are making the best purchase. If your lens utilizes aspheric lens elements, then you can rest happily with the knowledge that your lens will help produce sharper photographs and help keep lens weight to a minimum.
Lenses using internal and automatic focusing also keep lens weight down thanks to less moving parts, and of course allow for faster focusing. Low-dispersion glass leaves photos looking less hazy or fuzzy, while stabilization systems help to keep images sharp when taken using slow shutter speeds.
Conclusion
Hopefully this article has helped you to better understand what to look for in a digital camera lens. There are a lot of terms to remember here - so before shopping for your new lens it may be a good idea to take the time to make a list of what you want to do with your camera. Then you can double check your requirements against the features of different lenses. If you are still unsure if a lens will cater for your needs then by all means try to test it so that you can see some results before you buy!
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Canon EOS-40.D Digital (review)
This is a short video that describes the new dslr by Canon... The Canon EOS-40.D Digital. At first it is compared to the older and lower EOS-400.D, then it is described more deeply walking up to the Burcina Park. ===== Questo è un breve video che descrive la nuova dslr di Canon... La Canon EOS-40.D Digital. All'inizio è comparata con la più vecchia ed economica EOS-400.D, poi viene descritta nei minimi particolari camminando fino alla cima del Parco Burcina.
Photography Lenses - What You Need to Know
Photographic Lenses - A perspective from an avid shutterbug
Have you ever wondered why photographs turn out different than what you saw through the viewfinder? Why is my photography blurry or out of focus? How do I capture more of the subject area in the photo? How can I get closer to the subject? Why is the photograph darker than suspected? I have had these questions over the years and have studied photography lenses so that I can select the most appropriate camera and camera lens for my subjects.
Today, with the most wonderful world of photography , and the technology at hand, it is much easier to shoot those prize photos even for the weekend shutterbug. But, if you understand even a few basics your photographs can turn out much better than you anticipated. It has become really easy for anyone to pick up a point and shoot fixed lens digital camera and take a great photo. With the influx of many high end, high megapixel cameras available for under $200.00, anybody can put memories in their pocket.
I started out shooting photography and using several types of photography lenses in the early 1980's. My uncle introduced me to Pentax SLR equipment as he had a wholesale representative contact in Denver. I was able to purchase thousands of dollars worth of equipment for pennies on the dollar. And, so began the journey with my Pentax LX professional line of equipment. My photography lens arsenal was made up of many types such as wide angle, zoom, telephoto, macro, and standard camera lenses . I had a motor drive, high end camera flash, tripods, camera lens filters, lens hoods and more to get me started. As an athlete my first love was shooting sports which involved fast film, fast lenses, and a zoom lens. I soon fell into shooting landscapes, wildlife, and weddings. And, let me say, all for free. I loved taking pictures and giving them away to people who did not understand how to capture those prize memorable moments behind the lens.
So, what makes up the chemistry of photography lenses? How do they work and when should I use one over the other? Today it is so easy to get that all automatic digital SLR camera and lens and hope that the subject turns out as you thought it should. I think these automatic cameras are great. However, if you understand how to utilize other photography lenses in a manual mode you can still produce beautiful photographs. I actually have a Nikon D70 digital SLR camera today in addition to my Pentax LX and Nikon Coolpix pocket digital.
Photography Lenses Explained
Camera Lens Types:
Wide Angle
The wide angle camera lens enables the photographer to shoot a photograph when you wish to encompass more of the subject scene than would be possible with a standard lens such as a 50mm focal length. Wide angle camera lenses are typically a shorter focal length under 50mm and allow the photographer to change the perspective of the scene. A moderate focal length is about 24mm to 35mm that have apertures of F/2 or F/2.8 which allows more light in. There are also extreme wide angle lenses , called fisheyes, that can produce almost a 180 degree photo. These photographic camera lenses can be fun however, make sure you understand that the lens may produce a rounded image and the depth of field can be limited in low lighting conditions.
Standard
Standard lenses are typically the 50mm lenses. These are a fixed focal length and are the lens of choice on most SLR cameras . Everyone should have this camera lens . It typically will be used the most for everyday common photography. The 50mm standard lens is about what the human eye can see in the field of vision. It also produces the most relative size of the subjects and objects in the photograph. This camera lens can be one of the fastest lenses in your camera bag. It can be purchased with a low aperture of F/1.4 which will allow for very low lighting photographic opportunities.
Zoom
The zoom lens is my favorite lens. This camera lens gives the photographer so many options especially if you are not carrying two camera bodies with you. The zoom camera lens is not limited to one focal length but has movable elements in the lens that allow for multiple ranges. Zoom photographic lenses are available in many sizes but the typical lengths give you anywhere from 35mm - 70mm and 80mm - 200mm. I recommend these two lengths for the weekend hobbyist so that a full range from 35mm - 200mm can be achieved. These lenses can be expensive especially if the aperture is under F/4.0. They are typically not used in low lighting conditions or with motion photography unless you are shooting in daylight with sunny conditions. For most photography hobbyists, the 80mm - 200mm works great for sideline photographs and has enough focal length to capture images such as wildlife from a distance.
Telephoto
Telephoto camera lenses have a focal length that is longer than a normal 50mm lens. The longer the length of the telephoto camera lens the more magnification you can get and the closer you can draw near to your subject. These camera lenses differ from the zoom in that they are fixed and cannot provide the photographer a range of lengths. Most telephotos are used where the subject is static and situations where you are restricted to keeping your distance. They usually come with a smaller aperture somewhere around F/4.0. Careful selection and use must be made when using these lenses as they can be heavier and blur photographs with the slightest movement. I would recommend a tripod or monopod for use with lenses longer than 200mm. They are absolutely great for sports and wildlife photography. I have used anywhere from 100mm to a 500mm mirror telephoto. The 500mm mirror lens was really nice when shooting at an air show.
Specialty
There a couple of specialty camera lenses that I'll talk about. The first photographic lens that is a must for close- up photography is the macro lens. This lens can come in a few focal lengths that are typically less than 100mm. The macro camera lens enables the photographer the ability to shoot subjects extremely close-up such as flowers, insects, and commercial products. These camera lenses are really fun and can produce beautiful images that fill the frame with wonderful color and detail. I have done a lot of macro photography and recommend that a tripod be used when shooting these subjects so that blurring is limited. These lenses can also have lower apertures so that long exposure under low lighting can be accomplished. The other type of specialty lens is the perspective control lenses that will take close up photographs and keep the subject sharp in focus and prevent the depth of field from distorting the subject. I have not used these types of lenses so I cannot give you a real life example. However, for most non-professional photographers this lens may not be worth the investment. Finally, I will mention the 2x converter. This photography lens cannot stand alone but augment another lens by boosting the focal length by two times it's standard length. You simply add it between the camera and your lens of choice and the optical mirrors magnify the image by two. I use this often outdoors shooting sports on sunny days where I have a bunch of light. This will boost my 300mm zoom to 600mm. And, I can get really close to my subjects from the sidelines.
Photography lenses today provides the shutterbug an array of opportunities for photographic design. Depending on the type of photographer you are, it will determine the types of camera lenses you put into your camera bag. I would suggest that everyone has at least a mid-range zoom. If it is the only lens in the your budget at time of purchase, you can add other camera lenses later. The 35mm - 70mm would be my recommendation. If you are going to shoot athletics you will most likely be on the sidelines or in the bleachers and will need up to a 300mm telephoto or zoom. Depending on your budget I would suggest a lower aperture but nothing more than F/4.0.
Have fun and remember that you can take oodles of pictures today and test your photographs much easier with digital SLR photography . If you don't like your results, delete them. Then, go out and take more pictures!
To your photographic success.
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HWM angle #1: Session with Olympus advisers on new E-P1 camera
On 17 June 2009, Olympus presented us with their first Micro Four Thirds camera, the PEN E-P1. The new E-P1 will offer DSLR-like image quality in a sleek and compact body, with interchangeable lenses. Join us as we check out all the juicy bits with representatives from Olympus at www.hardwaremag.com!
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Digital SLR Camera Guide
www.sony.co.uk - Digital slrs are the new type of Digital Camera, but choosing the right one can be complicated. This Buyer's Guide explains what you need to know about slrs to make sure you're getting the latest and greatest camera.
How to Choose the Right Digital Photo Camera
Digital photography has evolved exponentially during the last few years with the improvement of technology and increased availability of digital cameras. Nowadays anyone can own one, but more and more people have a hard time choosing the right one for their needs. There are a few key factors to look for when buying digital cameras, and this article will try to outline some of them.
Storage space
Most low end cameras come with very little storage space, some even in the range of 16 or 32MB. Since a photo taken at highest resolution with a regular 5 Megapixel camera takes 2-3MB, you will end up with no disk space only after a handful of shots. Make sure you buy at least one memory card. I, for one, love to take lots of pictures on every occasion and have four 8GB cards
Manual focus
There are situations when the auto focus mode doesn't detect the target well, and the only way you can get a clear shot is to switch to manual focus. However, most low and middle end cameras don't provide this feature, or at most offer stepped focusing. Keep that in mind when buying a digital camera: you might need to move back and forth when taking a picture or be unable to take it altogether.
Batteries
Always find out in advance what kind of batteries your camera uses. You wouldn't want, for example, to go for a budget $79.95 camera and find out that it uses a set of two proprietary rechargeable batteries that cost $39.95 each. It's always best to buy rechargeable batteries, since you will be saving money in the long run.
Wireless
Although not of decisive importance to the home user, the ability to upload the images to your computer or print them directly via a Wi-Fi connection could be a nifty feature. Make sure you test it in advance, I have come across cameras where this wasn't working as seamlessly as advertised and most of the time the owners preferred to use a data cable to do the job.
Movies and sounds
If you want your camera to be able to record short clips, keep in mind that DSLR's don't shoot videos. If you have to choose between a SLR and a full featured body camera and need to record videos or sounds as well, choose the latter.
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Cleaning the sensor on your DSLR camera
Here's a short video on how to clean your slr sensor
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Megawhat: Canon 450D and Nikon D60 (Part01of02)
Two exciting new DLSR camera launches this week - the Canon 450D and Nikon D60. Megawhat was at both events to get a look at them first. Plus tips and tricks.
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Nikon D300 VS Nikon D700
Nikon officially introduced the 12.1 MP Nikon D700 FX format (equivalent to 35mm format) digital SLR on July 1st, 2008. The D700 is often said to be a "D3 in a D300 body". Take a D3, put it in a smaller body, do some clever cost-cutting but modest feature changes, lower the price to nearly a half, and you've got a D700. So, just how close is the D700 to the D300?
The D700 shares a number of features with D300. Both of them sport a powerful 51-point AF system, a high resolution 3in VGA monitor with Live View, the same 1005-pixel metering system, along with an HDMI port for connection to HDTVs - albeit using a mini-jack on the D700. Both of them are also tough, offering resistance to dust and moisture.
For the camera body, the dimension of D300 is approximately 147 x 114 x 74 mm (5.8 x 4.5 x 2.9 in), D700: approximately 147 x 123 x 77 mm (5.8 x 4.8 x 3.0 in). Without battery, the weight of D700 goes up 995g and the D300 is 825g. So the D300 is slightly smaller and lighter than the D700.
The Main difference between the two cameras is that the D700 uses a FX - full frame sensor and the D300 uses the DX - 1.5x cropped sensor. The D700 employs exactly the same 12.1 Megapixel full-frame CMOS sensor as the D3, which conforms to Nikon's FX format and deliver images with 4256 x2832 pixels when coupled with an FX-compatible lens. Like the D3, you can still use DX-format lenses, but with a cropped portion of the sensor, delivering 5 Megapixel images.
The viewfinder on the Nikon D700 features an eye-level pentaprism with high refraction index and provides 95% frame coverage with 0.72x magnification. It's not as accurate as the D300 or the D3 which both offer 100%.
Now let's talk about the sensor size. D700 uses a 36 x 24 size and pixel density is just 1.4MP/cm2 compared to the 23.6 x 15.8 Size and Pixel Density of 3.3MP/cm2. It means that technically the D700 should have cleaner file since the pixel density is almost half that of the D300.
Nikon D300 has 70-300mm VR lens and you effectively get a lens that has a 450mm reach at the telephoto end of the zoom range. This comes handy when you're shooting wildlife or sports where the subjects are far away. The same lens on the D700 would result in photos where the subject will not fill up as much of the frame as it would on the D300.
In a word, the Nikon D700 is basically a Nikon D300 sized version of the Nikon D3 digital SLR. The major advancements in performance and design that were first introduced with the Nikon D3 and D300 have been incorporated in the D700 along with a few differentiating features and functionality. But the D300 is much cheaper than the D700-nearly half of the D700's price. So whether it is worthy to upgrade your D300 to D700 depends on you needs.
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Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only)
Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only) Review
Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only) Feature
- 18.0-megapixel CMOS Sensor and Dual DIGIC 4 Image Processors for high image quality and speed
- Body only; lenses sold separately
- Advanced HD movie mode with manual exposure control and selectable frame rates
- Intelligent Viewfinder with 100 percent field of view; 19-point, all cross-type AF system equipped with dual diagonal cross-type sensors
- Capture images to CF Card Type I and II, UDMA-compliant CF cards (not included)
Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only) Overviews
With a host of features designed to enhance every facet of the photographic process, from still images to video, the EOS 7D represents a whole new class of camera.Made to be the tool of choice for serious photographers and semi-professionals, the EOS 7D features an 18.0 megapixels APS-C size CMOS sensor and dual DIGIC 4 image processors, capturing tremendous images at up to ISO 12800 and speeds of up to 8 fps. The EOS 7D has a cross-type 19-point AF system with improved AI Servo AF subject tracking and user-selectable AF area selection modes for sharp focus no matter the situation. The EOS 7D's Intelligent Viewfinder provides 100% coverage and displays user-selected AF modes as well as a spot metering circle and on demand grid lines. iFCL metering with 63-zone dual-layer metering system uses both focus and color information to provide accurate exposure even in difficult lighting. The EOS 7D also captures Full HD video at 30p, 24p and 25p with an array of manual controls, including manual exposure during movie shooting and ISO speed selection. The EOS 7D features a magnesium alloy body that is dust- and weather-resistant and shutter durability of up to 150,000 cycles.
Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only) Customer Review
By now you've probably read a ton of reviews... here or elsewhere on the internet about this camera. I've had it for a few months, upgrading from a Canon Rebel Xsi and finally decided to do a review, now that I have experience with it and really have had a chance to put it through it's paces. I'll try to keep my review based TOTALLY on my own personal experiences, and not just regurgitate the words everybody else has already said about this camera. I'm going to spread this review out into a couple of lists, then a short question and answer section... so here goes!
What's hot?
* Large, 18 megapixel images
* Great low-light performance at high iso's
* Fast
* Automatic White Balance does a much better job than my Xsi ever did.
* Rugged/Solid
* Feels very "significant" in your hands and comfortable to hold
* Automatic Focus is highly configurable to your situational needs and performs VERY well (in comparison to any previous camera I've owned)
* Remote flash triggering
* Movie modes are neat (I don't play with them much however... I'm more a photographer than videographer)
* Most "professional" ASP-C sensor camera yet.
* Shares batteries with the 5Dmark ii.
* Penti-prism 100% view is amazing. Much brighter and more useful, to me, in framing a shot than the penti-mirror design of the Rebel series.
* Micro-adjustment for individual lenses is awesome.
What's not?
* Rebel T2i has it's sensor, iso range, movie modes, a bigger and more detailed screen, and a "dumbed-down" version of the 7D's auto-focus... at about 00 less.
* If you're used to a Rebel camera (or point-and-shoot), the weight will be very noticeable after a while.
* Expensive
Questions and answers:
Q: Would this be a "good camera" for me to buy as my first step into the DSLR realm?
A: No. More accurately... probably not. This camera is complex, and it should be. It's as professional as the ASP-C camera's get... and it's in the xD lineup. If you aren't familiar with basic camera functions... something that takes this many steps beyond "basic" will either be frustrating, or wasted by always sitting in the "automatic" setting on the dial. I would, instead, recommend you look at the Canon Rebel T2i! It's got many of the specs of this camera, at a much cheaper price point. It's lighter, smaller, and more beginner/intermediate friendly.
Q: Should I get this camera over the Rebel T2i?
A: Depends totally on your use of a camera. Need something light, friendly, very capable, and a great value? Rebel all the way. Need something with a super-fast shutter, rugged build quality, and a few very advanced features? Go with the 7D.
Q: Which lens should I get with the 7D?
A: Totally depends on what you want to do and what you need it for. I chose the 28-135mm. So far, it's not a bad little piece of glass. That seems to be about the standard idea on all the "kit" lens options. Looking back, I probably could have saved myself some cash by buying the body only and used it to buy some REALLY GOOD glass. The sensor on this camera has an nearly un-satiable hunger for sharpness. You won't see it's true potential without amazing optics.
Final word: If you need a blazing fast, rugged, Canon camera and you're willing to really go through it's complexities and wring every last ounce of "Awesome" out of it... in the ASP-C format... this is it. If you want to save some money and/or are just getting into the world of DSLR's... I'd pass this one by. I made my choice, and I don't regret it.
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What Digital Photography Really Delivers
I have spent much time working with and thinking about digital SLR technology of late. The digital revolution has been quite the learning process and throughout I've tried to determine whether digital capture meets my specific needs. What I am after is generally a print of 16x20" or less, very sharply rendered in saturated color or shades of grey with extensive dynamic range and a small / tight grain pattern. I've been able to achieve this regularly with film equipment and I'd like to be able to do the same with digital.
Trying to determine whether digital makes sense for my purposes, I made a study of the available technical literature on the subject. Oh yeah, you'll learn a lot about pixel packing, modulation transfer functions, tone stepping, digital noise and how these things affect image quality in the digital picture making process. There is also an endless trove of material on how small format digital stacks up against film equipment.
Technical reports are great, but for me it comes down to how prints look in their final form. In other words, I don't care how things get done, I just want a beautiful print that expresses my vision, whatever that might be. I've learned quite a bit along the way and think I now have a handle on the main points. From a purely subjective viewpoint, here's some (highly personal) observations of how things stack out in my world.
In Favor of Digital:
Small format camera that does not require consumables, is fast to use and produces prints that are reasonably sharp and coherent up to about 5x7".
Within limits, what you see on the preview screen is what you've captured on the memory card. This one feature alone explains why virtually every wedding photographer on the planet uses digital. Where shooting speed and 'getting the shot' is the overriding concern, digital is king.
Availability of a wide range of lenses with nifty features such as wide zoom range, auto focus and image stabilization.
No hassles with airport x-ray screening devices. Travel anywhere in the world with no worries about fogged film.
Quick upload of images to web-based image sharing sites or printing services. Digital was made for the web! Even a middling good digital file looks fabulous on a monitor.
If you shoot RAW files, color correction is a snap-assuming you know what you're doing. The ability to do post-capture image management with software is unrivaled by the darkroom and does not require years of effort to perfect.
Problems with Digital:
Equipment obsolescence is rampant and costs for good equipment are quite high. Due to rapid advances in signal capture and processing expect to replace your camera body every three years, it's monetary and technical value will be near zero at that time.
The image sensor gets dirty quite often and requires careful cleaning with expensive supplies or a trip to the repair department for $65 a pop. The sensor is especially vulnerable to gunk when lubricants on the moving parts of the camera get splashed around. Lens changes invite dust into the camera body.
Short format lenses do not make it easy to systematically control depth of field effects. Everything is in focus, whether you want it that way or not.
Lenses must be of extremely high quality (read: expensive) to produce good results. Defects of consumer level optics are readily apparent when critically reviewing work prints.
Prints tend to look artificially sharp due to edge contrast effects giving a rather sterile look that I find unpleasant.
Dynamic range of sensor and processing electronics is very poor compared to film. Bright areas tend to 'burn out' rather easily requiring very careful exposure control. Technical fixes such as graduated neutral density filters or 'highlight recovery' manipulation in the image editing process is often required to manage normal contrast. Shooting in contrasty daylight is a real challenge.
Current lack of a world-wide standard file format suggests that today's files may not be as archival as film based systems. File archiving and storage safety are also issues.
Summary: I believe that a high quality digital SLR fitted with a pro-grade lens is a close APPROXIMATION of a replacement for a 35mm film camera using slow color or black and white film. Further, it needs to be kept in mind that producing a really good quality digital image is not a simple matter of point and shoot. Due to the reduced dynamic range of the electronic sensor compared to film, lighting must be carefully controlled either by shooting multiple frames for high-dynamic-range processing, using a neutral density grad filter to control sky values, modeling available light with reflectors or fill flash and other techniques not likely to be used by your average shooter.
As to whether a digital SLR can compete with a 120 roll film camera or a 4x5 view camera, all you have to do is look at a set of equal sized test prints. 120 and 4x5 film produces prints that have a presence and depth that the digital SLR cameras don't even begin to touch.
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Canon EOS-1D Mark III Intro Video - Microglobe.co.uk
www.microglobe.co.uk Hear from the Canon Inc. development team behind the new EOS-1D Mark III. This video contains interview excerpts from Canon development managers as well as in-depth information on the new features found in the EOS-1D Mark III. Canon's flagship EOS-1D Mark III is the most advanced EOS Digital SLR ever produced. It has a new 10.1 megapixel CMOS sensor (APS-H size) with Canon's EOS Integrated Cleaning System and a 3.0-inch LCD monitor with Canon's Live View technology. The 1D Mark III has a redesigned 100% viewfinder, a new 45-point AF system, and can shoot up to 10 fps continuously with a maximum burst of 110 shots. Dual "DIGIC III" Image Processors work in tandem to speed up every process while refining image quality; a new, lighter body has improved weather sealing and shutter durability. Every facet of the EOS experience has been enhanced with the 1D Mark III. It's the new standard. www.microglobe.co.uk
Canon EOS-5D Mark II Digital SLR Camera with EF 24-105L Image Stabilized Lens & Canon EF 135mm f/2.8 SF (Soft Focus) AutoFocus Lens - USA Warranty
Canon EOS-5D Mark II Digital SLR Camera with EF 24-105L Image Stabilized Lens & Canon EF 135mm f/2.8 SF (Soft Focus) AutoFocus Lens - USA Warranty Review
Canon EOS-5D Mark II Digital SLR Camera with EF 24-105L Image Stabilized Lens & Canon EF 135mm f/2.8 SF (Soft Focus) AutoFocus Lens - USA Warranty Feature
- 21.1 Megapixel Full-frame CMOS sensor, 14-bit A/D conversion (16,384 colors/each of 3 primary color), wide range ISO setting of 100-6400 (expandable L: 50, H1: 12800 and H2: 25600)
- Full HD Video capture at 1920 x 1080 resolution for up to 4GB per clip with HDMI output for HD viewing of stills and video
- Next generation DIGIC 4 Image Processor for faster processing of fine detail and color reproduction as well as reduced image noise
- High performance with 3.9 fps continuous shooting, new shutter with a durability of 150,000 cycles and improved weather-resistant body
- Live View Function for stills (Quick, Live and Face Detection AF modes) and video
Canon EOS-5D Mark II Digital SLR Camera with EF 24-105L Image Stabilized Lens & Canon EF 135mm f/2.8 SF (Soft Focus) AutoFocus Lens - USA Warranty Overviews
The EOS 5D Mark II features a huge, full-frame sensor. A 21.1-megapixel CMOS sensor delivers images of up to 5616 x 3744 pixels. And since it is full-frame, all lenses will deliver the angle of view they would on a 35mm camera without a conversion factor. Thanks to improved noise reduction technologies, images shot even at highest sensitivity will be remarkably smooth.The EOS 5D Mark II is the first digital EOS to offer recording of Full HD video in Live View Mode. Capable of shooting clips almost half an hour long at full 1080 resolution, the EOS 5D Mark II does amazing double duty, making it possible to shoot broadcast quality video on your camera by simply changing settings.The advantages move way beyond the ability to shoot on your SLR - the wealth of high-speed lenses and shooting accessories that make EOS photography so remarkable can be used in shooting video. Where interchangeable lens video cameras cost thousands of dollars, with the EOS 5D Mark II their operation, including HDMI output, is simply an added bonus to a remarkable camera.The EOS 5D Mark II has a sophisticated AF system consisting of 9 user-selectable AF points, along with a total of 6 additional vertical and horizontal AF assist points. With Live View Function on the EOS 5D Mark II, you can zoom in and navigate the composition 5x or 10x normal size.The EOS 5D Mark II has an all-new 3.0-inch Clear View LCD that features high-resolution 920,000 dots/VGA for far more detail
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Why Most Serious Photographers Are Ditching Film Cameras For The Digital Camera
Since digital cameras have come onto the scene taking pictures has been a lot more efficient and it has also become easier for the average person to take high quality pictures. Today, there are many different types of digital cameras to choose from. If you shop at electronic stores or Wal-Mart you will see digital cameras. Each camera offers something to the quality of the camera. This is the reason why picking one to buy is so hard. When you see what your choices are you will start trying to pick on out.
One of the comment problems that people have when they go looking for a digital camera is that they don't always find what they are looking for. After they buy the camera they then notice later that they could have done more research and bought something better.
It goes without saying that with the diversity in choices, buying a digital camera is not an easy task. Just as buying a car or house it is something you will want to have for along time to come, especially if you are really into photography. Some of the factors in buying a digital camera include cost, usage, and durability. If you want the newest and best camera out on the market today are you ready to shell out the money for it? Money and cost are big factors when buying a digital camera. It is known that quality comes with price, like anything you pretty much get what you pay for.
This isn't stating that the cheap ones are not good they just don't have the specs that others do. There are few cheap ones that you can get for a cheap price and some have a few specs as some others. You will need to shop around before you decide to buy one you are looking at. Even better you should save your money for the camera you really want.
Next you need to decide on what you will be using the camera for. Will you be using the camera for shooting family portraits? Or you might be trying to shoot some as the view as a professional? By knowing what your camera can do is what you need to discover first. So if you were to buy a home camera you will probably not get the picture you are looking for as if you wanted good shots. So it would be a waste to spend a lot of money on an expensive camera only to be used at home for personal use.
So since digital cameras can be quite expensive you will want to locate something that will last you a long time and won't break or become outdated quickly. You also might want some type that can endure heavy situations. If you happen to buy a nice camera you might want to get it a case to protect it when it's not being used. You should get one that is known for its picture quality.
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