Canon Digital Rebel XSi 12MP Digital SLR Camera (Black) with 8 GB Deluxe Accessory Kit


Canon Digital Rebel XSi 12MP Digital SLR Camera (Black) with 8 GB Deluxe Accessory Kit Review





Canon Digital Rebel XSi 12MP Digital SLR Camera (Black) with 8 GB Deluxe Accessory Kit Feature


  • 12MP Digital SLR Camera (Black) with EF-S 18-55mm f/3.5-5.6 IS Lens & EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens + 8GB Deluxe Accessory Kit



Canon Digital Rebel XSi 12MP Digital SLR Camera (Black) with 8 GB Deluxe Accessory Kit Overviews


The Canon EOS Rebel XSi Digital Camera It features Canon's EOS Integrated Cleaning System, Live View Function, DIGIC III Image Processor, plus 12.2-megapixel CMOS Sensor and is available in a kit with EF-S 18-55mm f/3.5-5.6 IS lens with Optical Image Stabilizer. The EOS Rebel XSi's refined, ergonomic design includes a new 3.0-inch LCD monitor, compatibility with SD and SDHC Memory cards and accessories that enhance every aspect of the photographic experience.
Canon EF-S 18-55mm f/3.5-5.6 IS SLR Lens: Canon's latest optical Image Stabilizer (IS) technology provides up to 4-stop compensation for image blur caused by camera shake and slow shutter speeds. Photographers normally shooting handheld at 1/250 sec can switch on IS to obtain a similarly steady and blur-free result with a shutter speed of just 1/15 second. The inclusion of automatic panning detection makes it easier for photographers to track wildlife and other moving subjects.
Canon EF-S 55-250mm f/4-5.6 IS Telephoto Zoom Lens: It is designed with Canon's Optical Image Stabilizer technology and is compact and light. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format. The image stabilizer effect is equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range.
++PLUS++ 8GB Deluxe Accessory Kit: Loaded with extremely useful accessories.



Canon Digital Rebel XSi 12MP Digital SLR Camera (Black) with 8 GB Deluxe Accessory Kit Customer Review


Love it. Started shooting as soon as the battery was charged. 5000+ snaps later; still love it.

I was torn when I bought it whether to go for this one or the 50D. I'm glad I bought this one as it has more brains than I do. The 50D would really be wasted on me. You can shoot right out of the box on full auto, or you can monkey with the priorities.

The lenses are great, though I tend to keep the tele-zoom on 90% of the time as most of what I shoot are birds and sundry other wildlife. I would love the 400 mm lens, but mucho $$$. Camera great for birds, especially in large file raw mode. Color reproduction is pretty much flawless, but I sometimes fiddle with the light and background colors.

The Canon software is adequate. I have not yet found the need to throw for photoshop. Probably won't ever. I'd rather save my $$$ for the 400 mm Canon lens.

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Canon Digital Rebel XSi 12MP Digital SLR Camera (Black) with 8 GB Deluxe Accessory Kit
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Canon EOS 550D (Rebel T2i) UNBOXING

Canon EOS 550D / Rebel T2i / Kiss X4 Unboxing

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Sony Alpha DSLRA500L 12.3MP Digital SLR Camera w/ Sony 18-55mm f/3.5-5.6 SAM DT Lens + Pro Series Tripod + Pro Series Monopod + Willoughbys 4GB SD SDHC Starter Pack


Sony Alpha DSLRA500L 12.3MP Digital SLR Camera w/ Sony 18-55mm f/3.5-5.6 SAM DT Lens + Pro Series Tripod + Pro Series Monopod + Willoughbys 4GB SD SDHC Starter Pack Review





Sony Alpha DSLRA500L 12.3MP Digital SLR Camera w/ Sony 18-55mm f/3.5-5.6 SAM DT Lens + Pro Series Tripod + Pro Series Monopod + Willoughbys 4GB SD SDHC Starter Pack Feature


  • 12.3-megapixel resolution for incredible detail; new Sony Exmor CMOS image sensor
  • Included 18-55mm lens covers everything from wide angle to midrange telephoto shots, features Smooth Autofocus Motor (SAM) for silent operation
  • Quick Auto Focus Live View for composing shots in the LCD monitor; Manual Focus Check Live View enables critical focus in macro and tripod shooting
  • Auto HDR (High Dynamic Range) captures more scene contrast than a single exposure can handle by combining two exposures into one shot
  • Includes: Sony Alpha DSLRA500L 12.3MP Digital SLR Camera w/ Sony 18-55mm f/3.5-5.6 SAM DT Lens + Transcend 4GB SD SDHC Secure Digital Memory Card + Pro Series Tripod + Pro Series Monopod + 2.0 USB Memory Card Reader + USB 2.0 SDHC Memory Card Reader/Writer + Pro Series Carrying Case + 55mm UV Protective Filter + 6' Mini HDMI Male to HDMI + Micro Fiber Cleaning Cloth + 5PC Cleaning Kit w/ Solution + Dust Air Blower + 1PK Ultra Clear Protective LCD Screen Kit



Sony Alpha DSLRA500L 12.3MP Digital SLR Camera w/ Sony 18-55mm f/3.5-5.6 SAM DT Lens + Pro Series Tripod + Pro Series Monopod + Willoughbys 4GB SD SDHC Starter Pack Overviews


The Sony DSLR-A500 Digital SLR is a camera with 12.3 MP for images with great detail. The APS-C sensor yields high-sensitivity and depth-of-field control. The Sony Exmor CMOS image sensor combined with the BIONZ processor enables a high ISO of 12,800 that yields low-light pictures with lower noise and reduced loss of picture detail.

The DSLR-A500 has a number of built-in features to guarantee sharp and perfectly exposed images. Smile Shutter technology enables the camera to automatically take a shot when in Live View mode, and a Face Detection system recognizes and adjusts the camera for faces in a given scene. The camera boasts 6 creative style settings and 6 scene modes which adjust the camera for optimized exposures.



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Model : DSLR-A500L w/18-55 SAM + 4GB Tri/Mono

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Sony Alpha DSLRA500L 12.3MP Digital SLR Camera w/ Sony 18-55mm f/3.5-5.6 SAM DT Lens + Pro Series Tripod + Pro Series Monopod + Willoughbys 4GB SD SDHC Starter Pack
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Nikon D3000 SLR Digital Camera with 18-55mm VR Lens - MSRP: $549.99


Nikon D3000 SLR Digital Camera with 18-55mm VR Lens - MSRP: 9.99 Review






Nikon D3000 SLR Digital Camera with 18-55mm VR Lens - MSRP: 9.99 Overviews


Capture Life at its best! Create pictures of breathtaking beauty by D3000 Digital SLR Camera from Nikon®. Combining a CCD sensor with EXPEED image processing system, the D3000 produces finely detailed photos that exhibit amazing color and sharpness as well as smooth gradation, and does so at lightning-quick speed. It’s bright and sharp, 3.0-in TFT LCD ensures comfortable viewing when playing back photos. The camera features intuitive controls and the on-board Guide Mode that assists you every step of the way. With the 6 automatic exposure scene modes such as Portrait, Landscape, Child, Sports, Close-up or Night Portrait you can capture shots in challenging conditions. Additionally, the camera encloses Trim, Red-eye Correction Soft Filter and many more functionalities that will help you capture snaps in detail. The D3000 packs all the innovation and enhanced engineering into a light, compact body plus delivers razor-sharp pictures with the fast and accurate 11-point autofocus. Its leading-edge technology resides behind a user-friendly interface that makes it extraordinarily simple to take the kinds of photos you’ve always wanted to take.



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Nikon D3000 SLR Digital Camera with 18-55mm VR Lens - MSRP: 9.99
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Nikon D3000 10MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens & 55-200mm VR Zoom Lens with 16GB Card + EN-EL9a Battery + Nikon Gadget Bag + 2 Nikon School DVDs + Accessory Kit


Nikon D3000 10MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens & 55-200mm VR Zoom Lens with 16GB Card + EN-EL9a Battery + Nikon Gadget Bag + 2 Nikon School DVDs + Accessory Kit Review





Nikon D3000 10MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens & 55-200mm VR Zoom Lens with 16GB Card + EN-EL9a Battery + Nikon Gadget Bag + 2 Nikon School DVDs + Accessory Kit Feature


  • KIT INCLUDES 11 PRODUCTS -- All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • <#1> Nikon D3000 Digital SLR Camera & 18-55mm G VR DX AF-S Zoom Lens PLUS + <#2> Nikon AF-S 55-200mm f/4-5.6G VR Zoom-NIKKOR Lens +
  • <#3> Transcend 16GB High-Capacity SecureDigital (SDHC) Card + <#4> Spare EN-EL9a High Capacity Lithium-Ion Battery Pack + <#5> Nikon SLR System Case +
  • <#6> Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader + <#7> Precision Design Memory Card Storage Wallet + <#8> Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit + <#9> Image Recall Digital Image Recovery Software +
  • <#10> Nikon School Instructional DVD: "Fast, Fun & Easy IV" + <#11> Nikon School Instructional DVD: "Understanding Digital Photography"



Nikon D3000 10MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens & 55-200mm VR Zoom Lens with 16GB Card + EN-EL9a Battery + Nikon Gadget Bag + 2 Nikon School DVDs + Accessory Kit Overviews


Kit includes:
♦ 1) Nikon D3000 Digital SLR Camera & 18-55mm G VR DX AF-S Zoom Lens
♦ 2) Nikon AF-S 55-200mm VR Zoom Lens
♦ 3) Transcend 16GB High-Capacity SecureDigital (SDHC) Card
♦ 4) Spare EN-EL9a High Capacity Lithium-Ion Battery Pack
♦ 5) Nikon SLR System Case
♦ 6) Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader
♦ 7) Precision Design Memory Card Storage Wallet
♦ 8) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit
♦ 9) Image Recall Digital Image Recovery Software
♦ 10) Nikon School Instructional DVD: "Fast, Fun & Easy IV"
♦ 11) Nikon School Instructional DVD: "Understanding Digital Photography"

The 10.2-megapixel Nikon D3000 Digital SLR Camera enables users to capture stunning images with superior performance. Features include a 3.0-inch monitor, Active D-Lighting, 23 Scene Modes, In-Camera retouch image editing, shooting as fast as 3 FPS, ISO sensitivity from 100 to 1600, built-in sensor cleaning, 11-point AF System and much more.

The 18-55mm VR Lens is a compact, lightweight standard zoom lens that has a 3x focal zoom range. The Vibration Reduction (VR) system allows handheld telephoto zoom shooting even in poorly lit conditions.

This 55-200mm 3.6x zoom features Nikon's VR image stabilization, which reduces the effects of camera shake, plus an ED (Extra-low Dispersion) glass element and Silent Wave Motor (SW) for high speed auto focusing and super-quiet operation.

Take more high-resolution pictures with this 16GB High-Capacity SecureDigital (SDHC) memory card.

Increase your shooting capacity with this powerful EN-EL9a Lithium-ion rechargeable battery.

This multi-compartment, Nikon-brand case will easily hold your camera, lenses, flash and accessories.





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Model : k-43359-09

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Nikon D3000 10MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens & 55-200mm VR Zoom Lens with 16GB Card + EN-EL9a Battery + Nikon Gadget Bag + 2 Nikon School DVDs + Accessory Kit
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Canon EOS Rebel T1i 15.1 MP Digital SLR Camera (Black) + Canon EF-S 18-55mm f/3.5-5.6 IS Zoom Lens [Outfit] + Canon EF-S 55-250mm f/4.0-5.6 IS Zoom Lens + 16GB + Advanced Shooters Package K# 1


Canon EOS Rebel T1i 15.1 MP Digital SLR Camera (Black) + Canon EF-S 18-55mm f/3.5-5.6 IS Zoom Lens [Outfit] + Canon EF-S 55-250mm f/4.0-5.6 IS Zoom Lens + 16GB + Advanced Shooters Package K# 1 Review





Canon EOS Rebel T1i 15.1 MP Digital SLR Camera (Black) + Canon EF-S 18-55mm f/3.5-5.6 IS Zoom Lens [Outfit] + Canon EF-S 55-250mm f/4.0-5.6 IS Zoom Lens + 16GB + Advanced Shooters Package K# 1 Feature


  • New 15.1-megapixel CMOS sensor with DIGIC 4 Image Processor
  • Includes Canon EF-S 18-55mm f/3.5-5.6 IS lens & Canon EF-S 55-250mm f/4-5.6 IS Autofocus Lens for Select Digital SLR Cameras
  • Full HD video capture at 1920 x 1080 resolution; HDMI output
  • 3.0-inch Clear View LCD; Live View Function for stills (Quick, Live and Face Detection AF modes) and video
  • Capture images and video to SD/SDHC Memory Cards



Canon EOS Rebel T1i 15.1 MP Digital SLR Camera (Black) + Canon EF-S 18-55mm f/3.5-5.6 IS Zoom Lens [Outfit] + Canon EF-S 55-250mm f/4.0-5.6 IS Zoom Lens + 16GB + Advanced Shooters Package K# 1 Overviews


Kit includes:
 1) Canon EOS Rebel T1i Digital SLR Camera
 2) Canon EF-S 18-55mm f/3.5-5.6 IS Zoom Lens [Outfit]
 3) Canon EF-S 55-250mm f/4.0-5.6 IS Zoom Lens
 4) Transcend 16GB High-Capacity SecureDigital (SDHC) Card
 5) Transcend USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader
 6) Deluxe DSLR Pro Gadget Bag
 7) Spare LP-E5 High-Capacity Lithium-Ion Battery Pack
 8) 6-Piece Lens & Digital SLR Camera Cleaning Kit

TheCanon EOS Rebel T1i features a 15.1Mp CMOS sensor (similar to the sensor found in the EOS 50D) for detailed, full volume prints, Live View for accurate pre-focusing and editing, continuous burst-rates of up to 3.4 fps, a DIGIC 4 image processor, and a scratch and glare-resistant high-resolution 3" Clear View LCD that allows for easy 100% image viewing from angles up to 170° off-center from the screen.

The Rebel T1i records a choice of full HD 1080p, 720p, and VGA video capture for true high-resolution video that beats or meets the image quality of far costlier pro camcorders. The EOS Integrated Cleaning System combats dust through the use of high-frequency vibrations that shake dust loose from the sensor's front-mounted IR filter every time you power up and power down. It has an ISO rating from ISO 100 through 3200 in standard mode, and from 6400 to 12,800 in expanded mode.

The Canon EF-S 18-55mm f/3.5-5.6 IS zoom lens is designed with Canon's Optical Image Stabilizer technology. Its stabilization allows sharp hand-held shots at shutter speeds up to four stops slower.

The Canon EF-S 55-250mm IS telephoto Zoom Lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses).



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Products By : Canon

Model : Rebel T1i [3818B002, 2044B002] + 16GB

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Canon EOS Rebel T1i 15.1 MP Digital SLR Camera (Black) + Canon EF-S 18-55mm f/3.5-5.6 IS Zoom Lens [Outfit] + Canon EF-S 55-250mm f/4.0-5.6 IS Zoom Lens + 16GB + Advanced Shooters Package K# 1
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Sony Alpha DSLR-A350 - First Impression Video by Digitalrev

The Sony Alpha DSLR-A350 digital SLR camera is making big waves! Find out why at www.digitalrev.com

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Choosing a Still Camera : The Best Cameras for Beginners

Exploring cameras for beginners; learn how to buy a new digital or manual camera, what to consider, things to think about in this free video on photography basics.Expert: James Flint Bio: James Flint has been working with computers professionally for more than 10 years. He studied graphic design and newspaper production while in college. Filmmaker: Reel Media LLC

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How to use an Expodisk to white antithesis your DSLR

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Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

This is the first in a series of profiles of photographers from various parts of the imaging spectrum. In the future we will shine the light on news photographers, commercial photographers, nature photographers and so on in order to give you the digital photographer some valuable insights to help make your images better.

Geraldine Allen is our first subject artist in the spot light. Initially trained in art history and graphic design in the UK; Geraldine gained valuable experience in aesthetics and design principles. Later in life she undertook study of Psychology and graduated with a Bachelor of Science Honors degree. However, Geraldine's long time interest and passion for photography drew her back. Enthused by the possibilities brought about by Adobe Photoshop in its early days of development, she was soon absorbed by experimenting with digitized photographic collages. It was then she decided to return to Salisbury College in the UK to formalize her experience and update her knowledge of the visual media industry.

Geraldine studied Creative Digital Arts to familiarize herself with industry standard multimedia software, and wishing to focus on still imaging, then chose to complete her BA (Honors) in PhotoMedia (Photography). Whilst computer manipulation was becoming increasingly popular, she chose to experiment [and now favors] "in camera" effects.

When did your "aha" moment arrive; the time when you knew that your affinity for photography could take you further regarding your creative and professional career? "I took a candid shot of my teenage son one day when I just happened to be at an elevated height; the combination of height, the long lens, and the way I had composed his posture in the frame brought an interesting result and I thought then that there are so many variables and I would never get bored if I did this for a living. I had always enjoyed photography but I didn't really learn much until digital came along. All of a sudden I learned so fast because the results were instant and I could relate which mistakes were associated with which controls."

Do you prefer total control over your photographic subjects or do you sometimes shoot natural non-studio images? "I don't have a preference. I am so passionate about photography and there are so many different aspects that I find it impossible to hold favoritism. I have to separate photography into genres and I take a different approach according to that genre. For example, creative photos are pre-conceived in the mind of the photographer/artist, so it does require the subject to be set up and controlled - to a degree. Although studio controlled images dominate my light painted portfolio, I often leave people as subjects to position themselves. The picture aims to portray a little essence of their natural character. I do help them with ideas if they are stuck though, usually by distracting them with conversation and saying "hold it there" when I think a particular posture, expression or mannerism would work well for the picture.

For nature pictures I rarely control anything except perhaps using a little fill flash or a reflector in conjunction with the available light. I make a conscious effort not to interfere with a natural scene as I wish to document it as real and naturally as possible. Having said that I must confess I can't help moving obtrusive litter, sticks or stones from the frame."

Have you ever had a mentor who had an impact on your style and art? "I received an awful lot of support from a wonderful tutor called Ian Smith at Salisbury College in the UK. Whilst I was given endless encouragement to experiment in whichever way I liked, I was also taught to question everything and to give that experimentation some decisive direction. I was to ask myself what my pictures were trying to communicate, and to plan them with specific intention and aims. In the final year at Salisbury College I reached the dreaded stage where I was forced to choose one field of specialization. God forbid, how was I to make a single choice when I loved all and sundry from traditional to completely abstract and contemporary? I remember actually struggling to hold back tears when it came to the point of my having to drop some genres. I was a cop-out really because I chose to stick with two fields instead of one; fine art and nature, and then I used a unifying concept to put them both in my final portfolio!

I was also privileged enough to work with landscape photographer Charlie Waite in his studio for some months. Although practicalities of work and business dominated our concerns, I observed his attitudes toward his projects and indeed within his natural day-to-day practicalities. If I had to choose one primary point that I will always remember, it would be how he would look at the sky and all around whenever he stepped outdoors. He would immediately and instinctively study the light and how it fell upon subjects in his immediate surroundings, no matter where he was or what he was doing. You could say he was obsessed with light! So, he taught me the most valuable lesson of all; to study the natural laws of light, how it naturally affected the world around and how different it looked according to the various conditions."

Your best advice for budding digital photographers? "Experiment, and then experiment some more! Make full use of manual controls instead of sticking with the safe Auto mode. Don't just refer to the manual when you are stuck on how to operate a basic control, but read it all from front to back and then test out each and every advanced control. That way you get to know your camera thoroughly, and you may happen upon some interesting effects. Try different levels of fill flash, use the white balance, and test the effects of speed/aperture on depth of field. Oh, and look at possible uses for any mistakes! I have been known to use prior unintentional mistakes, as deliberate controlled effects at a later date."

What kind of digital camera gear do you favor? "Predominantly, I am a digital SLR user of the Canon variety. I just like the look, the feel and the performance of Canon. A Canon feels right in my hand so what more can I say?

Currently I am shooting with a Canon D60, which I was very happy to own when they were first released. Unfortunately 6 months down the line the 10D was released with a substantial drop in price to boot. Now of course there is the 20D too! Such are the agonies of being a die-hard techie fiend. I use only fixed focal length lenses, having found the 'ever-practical' zoom to let me down with zoom creep on long exposures."

Currently Geraldine is using four lenses: a 15mm f/2.8 fisheye, a 35mm f/2, a 100m f/2.8 Macro, and a 200mm f/2.8 L - all Canon EF. Of course using these lenses on a DSLR mean the focal length is longer than using on a film SLR due to the size of the sensor, which is why the fisheye is not truly 'fisheye' but just very wide, and the 35mm is used as the standard workhorse lens - the equivalent of a 50mm. Shooting an awful lot of nature pictures, her 100mm macro lens has proved a wise investment, allowing her to gain that extra close distance both for macro work and longer distance shots.

Geraldine says "I have never had much desire to shoot very long distance. I tried a 300mm 'L' glass once, but sold it within a fortnight. The thing was a monster, and at f5.6 widest aperture, it was just not fast enough coupled with the focal length and weight of the thing. I simply could not achieve sharp enough pictures. Rather than bring faraway subjects close to me, I prefer bringing tiny things into my visual plane, so that I can study each tiny little detail. I therefore have a natural affinity for Macro photography and Photomicrography. I use an IMXZ Microscope with a zoom factor from x10 - x40 for real tiny subjects, or when I want to reveal what the eye cannot normally see, but with an aperture of f0, I am inevitably dissatisfied with the lack of sharpness throughout. Quite often I will just use the 'sweet spot' area and crop down afterward. I also have a bellows for an FD lens but I rarely achieve a satisfactory result owing to the lack of mobility and adaptability. I would really enjoy the more mobile MP-E65 but unfortunately it's not within the budget at the present time.

I missed the medium format experience altogether, but what a great discovery it was to find out I could afford a large format system! I ended up with a 4x5 Toyo View camera with a monorail extension, dark cloth, lots of double dark slides, an Schneider Symmar-S 150mm f5.6, and two boxes of Fuji Provia RDP II, all for £400!!! The film and processing costs have been adding up since, and the results still look plainly 'LF novice'. "

The only other shooting equipment I have are two strobes, a 1000 watt halogen lamp, a Canon Speedlite 550EX, softbox, reflectors and stands. These are not used very often, but are on standby for the odd studio request. Generally though I prefer natural light and natural settings.

Post shoot editing of course requires a digital darkroom. I use a fast processor Dell PC with tons of RAM, a Mac Powerbook G4, an Olympus Camedia Dye Sub printer, a Canon S9000 inkjet, and an Epson Perfection 4870 scanner for my 4x5 film. Let's also not forget that king of king piece of software - Adobe Photoshop. I just upgraded to CS and I'm not disappointed. ooops... I forgot to mention my trusty set of three halogen torches for light painting.... nothing special or expensive, just normal household torches of various strength." Says Ms Allen.

Geraldine has always been intrigued by the magical, unique and otherworldly qualities found in the work of photographers like Robert Damachy, Julia Margaret Cameron, Diane Arbus, and Sarah Moon. Specific influences on her photographic development with her light painting have been Berthold Steinhilber, Jorg Grundler, and Diana Thorneycroft.

If you visit her site you will see some of the wonderful macro photography Geraldine captures. Many of those are floral based subject matter. She says "for floral macros, I like to use extremely limited depth of field. This means I inevitably make use of a longer focal length [100mm], the closest shooting distance possible and a wide aperture [often f2]. This usually means the shutter speed is quite fast because there is plenty of light entering the lens. But, that does not mean I do not need a tripod in a natural setting. Often I like to have only the tiniest element in focus, which means handheld shooting is a definite no-no, as the plane of focus can slip at the slightest movement [in the camera or subject]. If the element to be focused on is flat, then generally it is easier to achieve sharpness where I want it. However if it is curved or rounded I try to make sure the camera is positioned at such an angle as to allow the element to be parallel with the back of the camera so that as much of the element as possible is on the same plane as the sensor or film back."

You can see the portfolio of her fine art photography at her web site: www.photo-art-gallery.com

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Autofocus & Drive Modes on Canon EOS 40D : Canon EOS 40D: Autofocus Servo for Moving Subjects

Take great sports photos with this Canon camera feature. Learn how to use the autofocus servo of theCanon EOS 40D Digital SLR camera in this free Canon photography lesson. Expert: Ryan Vaughn Bio: Ryan Vaughn is a photo enthusiast who has used his expertise for professional wedding portraits and business promotion. He has used Canon's 20D and 30D models as well as the the 40D. Filmmaker: MAKE | MEDIA

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MY Life As a Photographer

The time was back in 1980 when I turned 13 years of age and all I could think of was being a photographer. Now that I look back on it there is no doubt in my mind that this was in no small part inspired by those photographs I saw in the Vogue magazines my mother would keep in her shop, her being one of New York's top dress makers. There are those that may even find this odd but I actually found more in the way of sexuality and specially sensuality in those photographs in Vogue then the Playboy magazine's I had seen in my sister's apartment (her husband being a subscriber to this magazine) or the many other magazines of the same nature which were always to be found in abundance in my cousin's room out on Long Island.

Actually I had even grown bored of such magazines; finding that all they did was expose female nudity while adding very little of anything to excite the imagination let alone the desire in me to see more. Yes, they had allowed me to see the womanly body but after awhile I saw no mystery; when one day it happened while in my mother's office. I took to looking at a Vogue magazine and I was really taken aback and agitated. Men and women and though not revealing any part of their anatomies that I would not have seen on any other magazine; they were made to pose in such a way that raised my interest like nothing before. Some photographs even included women with other women, not even doing anything that could be considered overly suggestive but the way they were captured implied so much in its subtlety which might have been in the form of one woman sitting on another woman's lap or kneeling to her while holding her hand perhaps in an almost comic jest. Of course there were those that showed a group of men, sometimes two carrying a woman in away that at an earlier part of my life would have gone undetected by my eye but in this stage were making me take notice to the way it was possible to arouse the senses with just posses of beauty in clothes that perhaps had just as much sex appeal as nudity.

To a lot of the boys my age, such photographs like the ones to be found in magazines like Vogue might have seemed tepid. Them mostly being interested in looking at the more graphic pictures to be found in other magazines of a different nature however to me these photographs because of what they did not show but suggested might happen left me with a wish of seeing more. It was the not so subtle way a couple looked at one another or the way a woman's hand might be placed on a man, not on any part of his intimacy but with intensions of reaching, the sexually suggestive yet elegant way they were dressed that left me unfulfilled; longing to see more. This in a way was a great sensation as opposed to those nudity magazines I had known till then that because of their more explicit nature left my mind the moment they went out of my sight and did nothing to enhance my imagination.

It was also during this time that through commercials on television I became acquainted to the many cameras available. Minolta, Cannon and Olympus seemed like such interesting pieces of photographic equipment that allowed one to focus on the subject one was looking to capture. This was a feature that up till then I had not known cameras to have as the only one's that had ever come in to my hands were the ones on which all one did was point the camera at the subject in question and press the button. This was something I had never even considered, the idea of being able to focus on the subject. Naturally these cameras were very expensive, specially in those days so that year for my birthday my mother gave me a Polaroid camera to take with me on my first trip to Europe in a long time that would include stopovers in Italy, France and my brother's native country of Spain.

My brother-in-law however had an Olympus SLR (single lens reflex) which I very much enjoyed using even if it was only to look through as I rarely got to take photographs with it but it was those moments that I spent looking through the lens and focusing on many an object; weather they be at home or while looking out the window that I discovered what focusing was all about. I previously had been of the idea that focusing was the act of making the picture clear; much like one did with a television when one tuned it (of course, I am referring to those TV sets of the late 70s) instead of what it really was which was setting the distance between oneself and the object one was trying to photograph. It seemed so strange to me how one second an object that was so near was made clear while those that were further were not and then just a split second later those objects that had been so blurry were suddenly clear while those that had been clear were no longer even recognizable to the eye any more.

Perhaps it was just having fun but it made me see photography in a whole new way as before all it had been about was taking photographs of relatives posing usually on special occasions such as Christmas or birthdays or in places where we had been to; just to remember what had been. These photographs rarely were shown to any who were not in them and were usually kept in albums for the sake of having souvenirs but then as I looked at even everyday objects with this camera I started seeing photography as much more then a way of remembering last year's Christmas or things of the sort but as a way of creating art. I started to see how it was possible to photograph objects just so they might make an interesting photograph if nothing else.

It was also in 1980 that I observed for the first time what a zoom lens was and though I did not even know what it was called I knew it could bring me closer to objects in a way that at first glance seemed amazing as I will never forget the first time I had a chance to see it for myself. It happened in Rome while looking at the Coliseum from the large avenue that leads to it that my brother-in-law let me see what a zoom lens was all about. First he let me see the Coliseum with a 35mm lens then when my eye had gotten used to the view he suddenly did something to the lens while I was still looking through it that all of sudden and to my almost total shock made me feel as if some sort of force had pushed me toward the Coliseum. It was as if I had been placed in a very fast moving vehicle that had accelerated me toward it. I can not even claim that it seemed that the coliseum had increased in size or that it was as if it had been brought closer to where I was but the impression was one I will never forget as I have not experienced it since. Thrilling was how I would have described it then and perhaps because I had no idea of what would happen and when it did it even seemed amazing though looking back on that moment that is what it was all about. The fact that I had not expected it and nothing else specially since the view had only shifted from that of a 35mm lens to a 80mm lens.

As for the rest of the trip through Italy, France and Spain, it saw me take many a photograph with my Polaroid camera but none which I would keep for very long as this camera did not really lend itself to giving me the results I had seen with other cameras. As a matter of fact I ended up giving away most of these photographs to friends and relatives who strangely enough appreciated them more then I did though I must say it was a great thrill to take them. Perhaps it was just the thought that I was capturing on film all those landmarks which passed through my sight that summer such as the Coliseum, the tower of Pisa, Venice's Piazza San Marco and its canals and many others that made the taking of those photographs such a memorable experience, much more then the actual photographs. However regardless of what it was the memory of having taken those photographs will stay with me forever even if it did not take me more then a month to give them away after my return to New York.

As much as I had enjoyed taking those photographs, photography was not a hobby I followed up on my return to New York, this being much to my lament as other matters seemed to get in the way. It actually was not till many years later in 1986 when upon my return to New York after having spent most of the summer in Los Angeles and San Francisco; I bought a camera. An automatic focus Olympus 35mm camera with a 35mm lens which simplified taking photographs as all I had to do was aim and fire, this undoubtedly made taking photographs extremely easy and for awhile that is all I did. In a way it was strange when I think about it now so many years later how having a camera, even a simple one made me want to visit all those landmarks like the Empire State Building or the World Trade Center that I had never taken the time to see despite or perhaps because of having been born in New York.

Having this camera even gave me a sensation of being a tourist in my own city as I took photographs of all those places that so much attracted visitors from all over the world and perhaps for the first time saw what was so special about them. Ever since my 1980 trip to Europe I had been fascinated by photography but it was then more then ever that I really started to enjoy it and not just photographing those well known sights but even people in their daily lives or those things that most people take for granted like a subway station during rush-hour or the street I lived on which at the time was Lexington Av. between 82nd and 81st street.

With time I became more and more interested in experimenting with photography but eventually came to the realization that there was only so much I could do with a camera that could not be changed to manual focus so with this in my mind I waited till Christmas when with the money I got plus what I managed to save up bought myself my first SLR. It was my first camera which I could focus for myself as well change the lenses from its standard 50mm to a zoom lens that covered everything from 70mm to 200mm. To many it might seem odd but I actually made the purchase of this camera which like my first one was an Olympus on Christmas day of 1986 and immediately started shooting everything insight specially all the trappings of the holiday season such as Christmas trees and so many other things that composed this time of year.

With the coming of the new year my hobby turned in to a passion that saw me photograph not only many of New York's most famous places like the New York Metropolitan Opera but people, some of whom I knew and others whom I managed to capture on the street. By now the year was 1987 and the more photographs I took the less satisfied I became with the results as I never managed to get just what I was after as there always seemed to be something missing from my photographs. It seemed to me that my photographs did not have that certain something that made photographs special and lifted them in to that category of being art and try as I might and take as many photographs as I did I could not manage to get what I wanted. Of course one should take in to account that in those days photography was a much more expensive hobby then it is today as analog photography did not allow one the benefit of looking at one's photographs before one had them developed to see which ones were worth keeping.

However in all this it was not lack of the results I sought after that discouraged me but quite the opposite and by the summer of the same year I decided that I was going to become a professional photographer and why not? I was only twenty years of age and photography was something I enjoyed and felt I could do and earn a living from and in my attempt to become one I found a course in the mail which I signed up for. It was actually thanks to the material I got from this school that learnt the basics of photography that included some techniques which one was required to take what I would I refer to as a well taken photograph. Here I will list some of the ideas which I picked up from this course that helped me become the photographer I wished to be.

1) When taking a photograph, always remember that each photograph should tell some kind of story or have a message connected to it. For instance if one is taking a photograph of a person, then the message is that person or the person's expression or perhaps the beauty of that person may the person be male or female. The subject does not however need to be a person as it could be a landmark or a busy street; in that case the theme of the photograph might be to show how people go about their daily life in a big city. However in choosing a subject we should keep it simple and limit it to one subject per photograph, two or more makes for confusion.

2) After one has decided what message to tell one should include in the photograph all those elements that will help get this message across and leave out all those that will distract from it. For instance if one is taking a photograph of the Eiffel Tower, then that would be the main theme and it should be the only thing that appears in the photograph, making it not necessary to include one's friends or relatives in the photograph as in that case the viewer will not be able to appreciate either one as the person in question will appear very small in comparensence to the Eiffel Tower. It is my advise we should only photograph one subject at a time for he who tries to photograph to many things in one shot ends up photographing nothing. So in other words if we wish to photograph our friends let them be the only thing in the photograph and if we wish to photograph a monument or landscape let that be the only thing in the photograph as well. There is after all some truth in the statement "less is more".

Naturally there are other tips I could give in this article but it was these two that really helped to turn me in to the photographer I wanted to be; who after having completed not only this course but several others at New York's "Fashion Institute of Technology" and at Rome's "Instituto Superiore de la Fotografia" went on to get his work published in several magazines.

My first work published though not my last came in 1990 and three years after I had switched over to Minolta for a Polish magazine which is no longer printed called "Women and Life". It was during my long stay in Warsaw that I noticed a lot of homeless people and drug addicts appearing on the streets as the HIV virus had finally made its way to Poland. I felt this was something which needed to be shown to those not yet aware of this which to most people in Poland at the time was new. After having decided to take these photographs I got in touch with the editor-in-chief of the above mentioned magazine and asked her if she would be interested in publishing such photographs. At first she did not really know what to say but told me she would first need to see my photographs before taking such decisions.

I naturally the week that followed went about taking photographs of all those people I saw on the street with signs asking for money because they had been diagnosed with the HIV virus but still I had no photograph that truly got the message through of that despair that I was attempting to show. That despair that drives people to beg for money or steal or do what ever they can to buy a little bite of that drug their body so much cries out for. This was what I wanted but where could I get such a photograph or find a person or a group of people willing to let me take their photograph so it could appear in a magazine? This was the question I could not answer and despite having enough photographs to present; still that one shot was missing.

I am still unaware of why it happened specially when I so much needed it to but it did. One day when I was entering my building I saw a young man whose appearance was very dirty with clothes that made it clear that he had been sleeping on floors as he was probably homeless. He even seemed frightened as if I might tell him to leave the building or call for the police but just as I saw him the idea came to me and I asked with a great deal of enthusiasm if I could photograph him. It was then that this young man took me by surprise by pulling a syringe out of his pocket and pretending to inject himself. I instantly got the shot, not wasting anytime as I really was not going to ask him to repeat the gesture. I managed to catch him right at the moment when it appeared that the needle was about to enter his arm though the reality was that it was him only imitating an act he undoubtedly had done in the past and would do again in the future. As for the expression on his face; this was the real greatness of this shot if any were to be found in it. The way he in his raggedy clothes, who probably had been reduced by this drug to having so little left took so much relief from the escape that this drug, which to this day I am not even sure of what it was offered. It was a moment in time which I felt I captured so well, as it let one know for that split second how it might feel for someone in such conditions. I managed to take only one shot but this was all I needed after which I gave him the sum of 5,000 Zloty (1 USD which back then went a lot further then it does now a days) for his efforts.

The following week I handed my photographs to the editor-in-chief of "Women and Life" whose name I recall being Sofia Kaminska (though my memory may not serve me well on this one) who told me she might have problems with some of them. Her reasons being that they exposed people but she said this could be remedied by simply putting black spaces on their eyes to hide their identities which is exactly what they did. I all the same left the photographs realizing full well that I had done my part and that the rest was not up to me as it was now in their hands to publish these photographs or not. Fortunately for me it came about the following week that I was told that my photographs would get published which is precisely what happened.

There was something special about getting those photographs published that in a way made me feel for the first time that I was a true photographer. This being the case even though the money I got paid for them was barely enough to cover the cost of the film and developing I still felt a great sense of accomplishment when I saw my photos in that magazine which I knew to be one of Poland's most popular with my name listed as the photographer. There were so many factors but one of the strongest was the sensation that people all over Poland were looking at my photograph and seeing what I had wanted them to. I would go on to have more of my work published in magazines and newspapers, some in the states like the photographs I took of a shanty town in Lima, Peru and many others but there was something about those first photographs that will never abandon my memory.

With time I eventually lost my passion for photography and developed one for writing which is what I am currently doing but I do find it nice from time to time to reminisce of those years which I spent working as a photographer in which there was no place where I would go without my camera. Photography meant everything to me that feeling of finding something a person, a place or whatever and being able to capture it for others to see. It was that split second that I prided myself in preserving for the rest of eternity, that second that was so unique which would never return but thanks to my eye and camera would not be lost.

As for subjects which I enjoyed photographing, it is in earnest that I can claim that I had no particular subject which I preferred photographing as all subjects had something of interest to me weather they be people I saw on the street or in public places or inanimate objects or buildings or nude models. I saw beauty in everything and everyone from the innocence of the child to the dignity of the older person to the sexuality of the women who attracted me to the strength of men who I encountered which I felt I could bring out in a photograph by finding the right angle and light for it and how I would do my utmost to do so. Of course there was also the issue of setting the right shutter speed and aperture on my camera as well as selecting the right lens along with the right film that made taking what I considered to be great photographs a challenge.

The act of photography meant everything to me as I poured all I had in to them, my imagination and feelings were not spared from going in to those photographs which I took though strangely enough perhaps to some I never became sentimental about the photographs I took once I had taken them. I of course would look at them to see that all had come out as I had wanted it to but other then that I would not look at them much after. This being the case as to me the whole art lay in the work I did to obtain the photograph; to the point where the photograph itself held no meaning. I even went on to give away or sell many of the photographs; naturally keeping the negatives and the reason for this being that I wanted to be able to reproduce them to show to others.

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Canon Digital Rebel XSi 12MP Digital SLR Camera w/ EF-S 18-55mm IS Lens + Spare LP-E5 Li-ion Battery + 8GB + Standard Shooters K#1


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  • 12.2-megapixel CMOS sensor captures enough detail for poster-size, photo-quality prints
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  • EOS Integrated Cleaning system, plus Dust Delete Data Detection in included software
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Canon Digital Rebel XSi 12MP Digital SLR Camera w/ EF-S 18-55mm IS Lens + Spare LP-E5 Li-ion Battery + 8GB + Standard Shooters K#1 Overviews


Kit includes:
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2) Transcend 8GB SDHC Class 6 Secure Digital Memory Card  fast, secure, and large enough to hold hundreds and hundreds of pictures
4) Spare LP-E5 Rechargeable Lithium-ion Replacement Battery Pack
5) Joby Gorillapod Flexible Tripod
6) USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader
7) SLR Gadget Bag For the Digital Rebel XS, XSi, T1i
8) ClickFree DVD100-2 Photo Backup 2-Pack
9) Professional 5-Piece Lens & Digital SLR Camera Cleaning Kit
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The Canon EOS Rebel XSi Digital Camera incorporates a number of high-end functions and technology found in Canon's professional SLR models, including an improved autofocus sensor, enhanced 14-bit A/D conversion, and an advanced Live View function. Plus the proprietary DIGIC III image processor ensures that the fine details and natural colors of the images are optimally recorded, and also manages the camera's efficient energy consumption and high-speed signal processing performance.

The Canon EF-S 18-55mm f/3.5-5.6 IS zoom lens is designed with Canon's Optical Image Stabilizer technology. Its stabilization allows sharp hand-held shots at shutter speeds up to four stops slower.





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Steve Miller visits from Ikelite and demonstrates the features of Ikelite's Digital SLR Underwater Camera Housing. Ikelite builds Underwater Camera Housings for the most popular Digital cameras on the market like the Nikon D90 and others.

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  • What's in the Box of Sony Alpha () DSLR- A850 Full Frame Digital SLR Camera w/ Willoughby's Travelers Starter Kit, NP-FM500H Info Lithium Battery (7.2V, 1650mAh),Battery Charger w/cord (BC-VM10),Video Cable, USB Cable, Shoulder Strap with Eyepiece Cap and Remote Commander Clip, Body Cap, Accessory Shoe Cap, Software/USB Driver CD-ROM,1-Year Limited Manufacturers' Warranty (Parts & Labor), SAL-2470Z Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens, Sony Alpha Digital SLR LCS-SC11 Case, Transcend 32B 133x Compact Flash Memory Card, Heavy Duty Photo and Video Monopod, 2.0 USB CF Card Reader, Flexible Mini Tripod, Memory Card Wallet, 3PC Cleaning Kit Microfiber Cloth, 1PK Screen Protectors



Sony Alpha DSLR-A850 Full Frame Digital SLR Camera + Sony 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens + Transcend 32GB CF + Sony Case + Travelers Starter Kit Overviews


The rugged Sony a850 DSLR features a 35mm full-frame, 24.6-megapixel Exmor CMOS image sensor and SteadyShot INSIDE body-integrated image stabilization for a full-frame DSLR. In addition, Dual BIONZ imaging processors allow continuous shooting up to 3fps with superb image quality and ultra-low noise.

The A850 features a 35mm full-frame Exmor CMOS image sensor that is approximately 2.35x larger than the APS-C sized sensors found in many DSLR cameras. The result is a larger capture area, improved wide angle performance, and tighter depth of field control. In addition, its 24.6MP resolution maximizes the resolving power of your existing lenses and delivers sharper, higher contrast photos.

Building on years of expertise, Sony has developed the worlds first body-integrated image stabilization solution for a full frame DSLR. The SteadyShot INSIDE in-camera image stabilizer actually shifts the image sensor to compensate for camera shake without sacrificing image quality. The compensation effect is equal to as many as four shutter speed steps, giving you more creative freedom when shooting in low light. And, because it is integrated into the camera body, SteadyShot INSIDE technology works with all compatible a (alpha) system lenses.

High-performance Carl Zeiss large-aperture zoom. The SAL-2470Z Carl Zeiss Vario-Sonnar f2.8 24-70mm Zoom Lens is a brilliant all-around performer -- with SSM (Super Sonic wave Motor) design for fast, silent auto-focus, pro-quality Carl Zeiss T coated optics to reduce lens flare, and 17-element design with two aspherical and two ED glass lens elements to minimize distortion and virtually eliminate chromatic aberration. It benefits from the Super SteadyShot image stabilization built into every Sony α system DSLR -- and its wide-angle to medium telephoto range in compact, lightweight design is ideal for a wide range of shooting applications (35mm equivalent: 36-105mm).



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Nikon Digital Camera Suggestions Nobody's Heard Of

Nikon digital camera suggestions might include a SLR digital camera or a compact point and shoot camera. The Nikon D3digital SLR camera is a nice little camera for the professional photographer. The body alone can cost about five thousand dollars and then you will need to buy the lenses, which could run you hundreds of dollars for just one. If you just need a camera for every day use, you might find the Coolpix digital cameras suited for your needs.

The Nikon digital camera suggestions for the Coolpix digital cameras include the P1500 and the S700. The P1500 has 12.1 megapixels, four times digital zoom and 3.5 optical zoom with a two and a half inch viewing screen. This is a great camera for the price. For a little less money, Nikon has the S700 with 12.1 megapixels with four times digital zoom and three times optical zoom with a 2.7 inch viewing screen. Both cameras are compact and easy to take anywhere you go. The ease of use is perfect for beginners as well as experts in photography.

The Coolpix S10 digital camera is unique with a movable viewing screen. This camera has 6 megapixels with ten times optical zoom and four times digital zoom. This would be the perfect camera for taking group pictures where the user wants to be included. The next of the Nikon digital camera suggestions would be the Coolpix S51. This little camera takes some clear images and has many features and accessories that you would need. The camera has 8.1 megapixels with four times digital zoom and three times optical zoom. The three-inch viewing screen makes seeing the subject easier.

Depending on what your need is Nikon has many different cameras that give clear and crisp images with perfect coloring. You can compare the cares to see which one will give you the most functions and features.

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Learn About the History of Digital Cameras

Digital cameras now outsell their 35mm predecessors in the general market and it is only the diehard celluloid junkies that maintain allegiance to film. The commercial photography industry now uses virtually exclusive digital technology to produce images due to their immediate shot review and post production efficiency. The feature film industry still maintains loyalty to Super 35mm film however the latest advances in HD technology has threatened even this most sacrosanct of institutions.

Digital cameras are available in a multitude of specifications from cost effective basic models to extremely expensive professional kit. They are user friendly and compatible with editing software making them much more accessible. The commercial interest in digital cameras is because the images that are captured can be checked immediately which enables time and money saving, ensuring the acceptable quality of product before wrapping a shoot.

The principals behind that of digital cameras are based on light-sensitive sensors or pixels. This leaves some diehard disciples of celluloid to claim that the images do not exist in their entirety as they are made of variable dots of light and therefore not a completely accurate depiction of and image. This is quite pedantic however and the ease of use and post-production qualities far out way the potential for pixelated images.

Digital cameras began as the concept of digitizing motion images and digitizing photographs via scanners. These first generations of digital images were used in space exploration where photos would be taken of stars and planets using a mosaic photosensor which periodically captured still digital images helping with the approach and landing to planets. This technology used elements of camera design that were later adapted for development of digital cameras.

The next generation of semi-digital cameras were the analogue digital film cameras which came around the early to mid 80s. The massive benefits were the telecasting of live events in this format via satellite. The issues with the cameras were their astronomic cost and the poor picture quality and the first images were taken of the 1984 Olympics and printed in newspaper print resolution in a Japanese newspaper.

Around 1990 the first generations of digital cameras as we know it following on from the formation of the first jpeg and mpeg standards were created. Over the last 10 years the price of digital technology has dropped significantly, with some early models demanding 10,000GBP plus. Digital cameras now dominate the market and in some areas have rendered celluloid almost obsolete.

The continual advances in digital technology with higher resolutions and high definition push the prices of older models down making them affordable and practical.

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Nikon Coolpix L12 Digital Camera

With working hours increasing and the corresponding work load increasing, it becomes necessary for everyone to indulge in a hobby. Those who love to travel are seen to be equally interested in photography. For such amateur photographers, there are a lot of digital cameras available in the market in a huge variety so as to suit each and every ones need. For example, beginners need a simple camera that gives a good output. For advanced amateurs, there are several digital cameras with advanced technology so that clicking images and sharing them becomes easy and also gives the desired effect. It is for the same reason that Nikon has come up with Coolpix series. These digital cameras are specially meant for amateur photographers so that they may use them with ease.

Key featuresUser friendly aspects

Nikon Coolpix L12 is an inexpensive camera that is enabled with all those features that you may find in a high end camera. It weighs only 125 grams. Nikon Coolpix L12 has a 2.5 inch LCD screen that comes with a joypad and a sliding mode switch. It is quite easy to operate the buttons. The 7 megapixel Nikon Coolpix L12 is designed keeping in mind automation and simplicity.

Nikon Coolpix L12 Digital Camera is enabled with Nikon's optical Vibration Reduction that reduces the possibility of hazy images even if you hand is shaky while clicking the image. It also has the Face Priority auto focus that focuses on the subject so that the images of the person turn out well. Other bonus features include, built in flash, auto flash, red eye reduction, self timer and image stabilizer. Red Eye Reduction pulls out the red mark near the pupils of the eyes of the subject.

Conclusion
To sum up, Nikon Coolpix L12 is good camera with a reasonable price tag. As a result, it is already on its way to steal the hearts of all amateur photographers.

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Canon EOS 50D 15.1 MP Digital SLR + Canon EF-S 18-55mm f/3.5-5.6 IS Lens + Canon EF-S 60mm f/2.8 Macro USM Lens + Canon MR-14EX Macro Ring Lite + 8GB CF + Dental/Medical Package


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Canon EOS 50D 15.1 MP Digital SLR + Canon EF-S 18-55mm f/3.5-5.6 IS Lens + Canon EF-S 60mm f/2.8 Macro USM Lens + Canon MR-14EX Macro Ring Lite + 8GB CF + Dental/Medical Package Feature


  • 15.1-megapixel CMOS sensor with improved noise reduction
  • Enhanced Live View shooting includes Face Detection Live mode
  • New Lens Peripheral Illumination Correction setting
  • HDMI output for displaying full high-resolution images on a HDTV
  • Includes: Canon EOS 50D 15.1 Megapixel Digital Camera SLR [OutFit] + Canon EF-S 60mm f/2.8 Macro USM Lens + Canon MR-14EX Macro Ring Lite + Canon EF-S 18-55mm f/3.5-5.6 IS Lens + Transcend TS8GCF133 8GB 133x Ultra Speed Compact Flash Card + Pro Series Tripod + Remote Shutter Release + Digital SLR Camera Carrying Case + Remote Shutter Release for Canon + Two (2) UV Protective Filters + 2.0 USB Card Reader + Cleaning Wipes + Cleaing Solution Kit



Canon EOS 50D 15.1 MP Digital SLR + Canon EF-S 18-55mm f/3.5-5.6 IS Lens + Canon EF-S 60mm f/2.8 Macro USM Lens + Canon MR-14EX Macro Ring Lite + 8GB CF + Dental/Medical Package Overviews


The Canon EOS 50D SLR Digital Camera features an APS-C sized 15.1-megapixel CMOS sensor for superb quality images and the latest DIGIC 4 Image Processor to provide superior color reproduction, and improved ISO capabilities for uncompromised shooting even in the dimmest situations. It also features a 3.0-inch Clear View LCD monitor, supercharged Live View Function with Face Detection Live mode, plus a number of automatic Image Correction settings and HDMI output.

This new Ringlight for macro shooting is loaded with features and capabilities. Now with Canon's E-TTL, it takes full advantage of the flash performance of the EOS-1V, EOS-3, and other E-TTL supported cameras. Twin circular flash tubes fire at even power, or can be varied over a six-stop range. One or more 580EX, 550EX, 430EX, or 420EX Speedlites can be used as wireless slaves along with the MR-14EX. The controller unit has an illuminated, informative LCD panel. Accepts optional hi-capacity battery packs.

The Canon EF-S 60mm f/2.8 Macro USM is the first true Macro lens in the EF-S series. This dynamic, compact, fast-focusing lens provides dramatic detail that goes beyond the human eye. Having an effective focal length of approximately 96mm in 35mm format, it produces life-size close-up results. With capacity to reproduce an image on the sensor that is as large as the subject itself, you take your audience inside a magnificent miniature world.

The Canon 18-55mm f/3.5-5.6 EF-S IS Lens is a standard zoom lens that features the smaller size image circle, exclusively designed for EOS Digital Rebel and other cameras using the "APS-C" size sensor. The focal length is equivalent to approx. 28-90mm in 35mm format. This makes it ideal as a basic everyday lens.



Buy Cheap Canon EOS 50D 15.1 MP Digital SLR + Canon EF-S 18-55mm f/3.5-5.6 IS Lens + Canon EF-S 60mm f/2.8 Macro USM Lens + Canon MR-14EX Macro Ring Lite + 8GB CF + Dental/Medical Package


Products By : Canon

Model : [2807B006, 2356A002, 0284B002, 2042B002]

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Canon EOS 50D 15.1 MP Digital SLR + Canon EF-S 18-55mm f/3.5-5.6 IS Lens + Canon EF-S 60mm f/2.8 Macro USM Lens + Canon MR-14EX Macro Ring Lite + 8GB CF + Dental/Medical Package
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*** Product Information and Prices Stored: Mar 12, 2010 15:20:10

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Pentax K-7 Digital SLR Camera + 18-55mm WR SMC DA Zoom Lens + 8GB Card + D-LI90 Battery + Case + Accessory Kit


Pentax K-7 Digital SLR Camera + 18-55mm WR SMC DA Zoom Lens + 8GB Card + D-LI90 Battery + Case + Accessory Kit Review





Pentax K-7 Digital SLR Camera + 18-55mm WR SMC DA Zoom Lens + 8GB Card + D-LI90 Battery + Case + Accessory Kit Feature


  • KIT INCLUDES 9 PRODUCTS -- All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • <#1> Pentax K-7 Digital SLR Camera Body PLUS + <#2> Pentax 18-55mm f/3.5-5.6AL WR SMC DA Zoom Lens +
  • <#3> Transcend 8GB HC SecureDigital Class 6 (SDHC) Card + <#4> Spare D-LI90 High-Capacity Lithium-Ion Battery Pack + <#5> Precision Design 1000 Deluxe SLR Pro Carrying Case +
  • <#6> Image Recall Digital Image Recovery Software + <#7> Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader +
  • <#8> Precision Design Memory Card Storage Wallet + <#9> Cameta Microfiber Cleaning Cloth



Pentax K-7 Digital SLR Camera + 18-55mm WR SMC DA Zoom Lens + 8GB Card + D-LI90 Battery + Case + Accessory Kit Overviews


Kit includes:
♦ 1) Pentax K-7 Digital SLR Camera Body
♦ 2) Pentax 18-55mm f/3.5-5.6AL WR SMC DA Zoom Lens
♦ 3) Transcend 8GB HC SecureDigital Class 6 (SDHC) Card
♦ 4) Spare D-LI90 High-Capacity Lithium-Ion Battery Pack
♦ 5) Precision Design 1000 Deluxe SLR Pro Carrying Case
♦ 6) Image Recall Digital Image Recovery Software
♦ 7) Precision Design USB 2.0 High Speed SecureDigital (SD/SDHC) Card Reader
♦ 8) Precision Design Memory Card Storage Wallet
♦ 9) Cameta Microfiber Cleaning Cloth

The Pentax K-7 Digital SLR Camera is compatible with every Pentax K mount lens and houses a 14.6 megapixel CMOS sensor. The PRIME II processing engine allows for fast 5.2 frames-per-second shooting - great for wildlife, fast action sports, and adventure photography. Fortified with the 11-point SAFOX VIII+ Autofocus System and Advanced Shake Reduction Technology, the K-7 keeps all of your subjects in sharp focus, even in low-light. The K-7's High Definition Video Capture shoots 30-frames-per-second 1024p and 720p videos. HDMI output from the body makes sharing your photos and movies on an HDTV possible with a single plug.

The Pentax SMC DA 18-55mm f/3.5-5.6 AL WR Zoom Lens is a standard focal length zoom lens that has a broad range of applications from indoor pictures, portraits, and landscapes to family photos, portraits and other general situations. This lens is weather resistant to handle damp, inclement conditions, and has a great wide angle capability with a standard 3x zoom range.

Take more high-resolution pictures faster with this 8GB High-Capacity SecureDigital (SDHC) memory card.

Made from durable nylon, and outfitted with a leather reinforced handle, this multi-compartment case will easily hold your camera, lenses, flash, and accessories.





Buy Cheap Pentax K-7 Digital SLR Camera + 18-55mm WR SMC DA Zoom Lens + 8GB Card + D-LI90 Battery + Case + Accessory Kit


Products By : Pentax

Model : 17811

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Pentax K-7 Digital SLR Camera + 18-55mm WR SMC DA Zoom Lens + 8GB Card + D-LI90 Battery + Case + Accessory Kit
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*** Product Information and Prices Stored: Mar 11, 2010 15:05:03

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Digital Camera Information

You've decided to buy a digital camera. The problem is - which one? Unless you have good digital camera information, it can get quite confusing. There are five main types of digital cameras available for different photography needs. In this article, we will discuss the five different types.

The five types are compact digital cameras, subcompact digital cameras, advanced compact cameras, super-zoom cameras, and SLR cameras.

Compact Digital Cameras are best for everyday use. They are perfect for your family vacations and get togethers. They are very easy to use but they also have limited manual controls for exposure and composition. So if you want a camera that you can just pick up and take a great picture - this is it. The cost for a compact digital camera ranges from $150 to $300.

The subcompact digital camera is great for carrying anywhere you want to go. It's small so it will fit into your purse or tote bag and not too heavy that you don't mind carrying it around. As with the compact, it has limited controls so if you're wanting to get started with some creative and artistic photography, this isn't the camera for you. However, if you want great pictures without having to study the "in's and out's" of your camera, this could be the one. Subcompact digital cameras range in price from $250 to $450.

The advanced compact camera is a step up from the compact and subcompact digital cameras. This camera is relatively large and heavy so it's not one that you would want to tote around all day on vacation. But, if you know that you are going out looking for some great shots, this camera can handle it. This camera does well when the lighting could be a challenge such as dimly lit rooms and subjects, and outdoor situations such as sunsets. The advanced compact digital camera has very versatile controls, long zoom, and can store RAW images. The price range for these cameras is between $300 to $600.

The super-zoom digital cameras would be the best choice for you if you are interested in photographing nature, sports, and travel. They have a very long zoom range with a powerful telephoto setting which make it perfect for those nature photos. On the down side, they are larger, bulkier, and heavier than the compact models. The price range is between $250 to $450.

If you are truly interested in artistic photography, then you need to invest in an SLR digital camera. SLR is the acronym for "standard lens reflex." These cameras perform beautifully; have instant startup, minimal shutter lag, interchangeable lenses, large image sensors, fast continuous shooting, can store RAW images, and excellent battery life. As can be expected, they are larger and heavier which is the price you pay for the artistic abilities that this camera has. They are also considerably more expensive ranging from $900 to $1,500.

Whether you're looking for a great point-and-shoot camera, or an advanced camera that you can hone your photographic skills with, you'll find it in digital cameras. From the subcompacts to the SLRs, whatever your needs, there is a digital camera made just for you.

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